Feature1957·92m·6.4

Interpol

This Is A Picture About DOPE!

CrimeDrama

Spurred on by the death of his drug-addicted sister at the hands of ruthless narcotics kingpin Frank McNally, U.S. drug enforcement agent Charles Sturgis embarks on an investigation that takes him from New York to London, Lisbon, Rome, Naples and finally Athens in pursuit of McNally's shapely associate, Gina Broger.

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Cast

Victor Mature

Charles Sturgis

Anita Ekberg

Gina Broger

Trevor Howard

Frank McNally

Bonar Colleano

Amalio

Dorothy Alison

Helen

André Morell

Commissioner Breckner

Martin Benson

Captain Varolli

Eric Pohlmann

Etienne Fayala

Peter Illing

Capt. Baris

Sydney Tafler

Curtis

Lionel Murton

Murphy

Danny Green

Second Bartender

Alec Mango

Salko

Sidney James

Joe - First Bartender

Marne Maitland

Guido Martinelli

Harold Kasket

Kalish

Van Boolen

Luggage Clerk

Brian Nissen

Allison

Peter Elliott

Badek

Charles Lloyd Pack

English Tourist

Details

Status
Released
Original language
English
Languages
English
Budget
Revenue
Age rating
Quality
4K UHD · HDR10 · Dolby Vision
Production
Warwick Film ProductionsColumbia Pictures

Crew

Director

John Gilling

Writers

John Paxton, A.J. Forrest

Ted Moore

Director of Photography

Richard Rodney Bennett

Original Music Composer

Richard Best

Editor

Gallery

Reviews

CinemaSerf

5/28/2024

6.0

This has got quite a field of recognisable talent, but the story is a bit thin. "Frank McNally" (Trevor Howard) is a ruthless drug dealer who makes a bit of a mockery of the efforts of Interpol to track him down. It's only when he kills the sister of US agent "Sturgis" (Victor Mature) that he finds a foe worthy of him. This fellow is much more determined, and quickly alights on the mule of the operation "Gina" (Anita Ekberg) trailing her all around Europe before finally honing in on his prey as “McNally” plots an huge job in New York. The format of the storyline takes a bit of a travelogue style and though that does give it some pace, it means we spend way too much time on planes, at airports and touring the sites rather than developing any characters of even a substantial plot. Neither Mature nor Howard really engage, Ekberg has practically no dialogue until the very end and the best effort comes from grifter Bonar Colleano's ("Amalio") who seems way more adept at tracking "McNally" than his policeman buddy. The ending is weak - it's more of a testament to the effectiveness of global policing and communications that it is to a thriller, and I felt the whole thing just lacked oomph.