Feature1947·87m·7.3

The Lady from Shanghai

I told you... you know nothing about wickedness

MysteryCrimeThrillerDrama

A romantic drifter gets caught between a corrupt tycoon and his voluptuous wife.

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Cast

Rita Hayworth

Elsa Bannister

Orson Welles

Michael O'Hara

Everett Sloane

Arthur Bannister

Glenn Anders

George Grisby

Ted de Corsia

Sidney Broome

Erskine Sanford

Judge

Gus Schilling

Goldfish

Carl Frank

Galloway

Louis Merrill

Jake Bjornsen

Evelyn Ellis

Bessie

Harry Shannon

Cab Driver

William Alland

Reporter (uncredited)

Jessie Arnold

Schoolteacher / Courtroom Spectator (uncredited)

Wong Artarne

Ticket Taker (uncredited)

Rama Bai

Townswomen (uncredited)

Jack Baxley

Guard (uncredited)

Steve Benton

Policeman (uncredited)

Wong Chung

Li (uncredited)

Eddie Coke

Policeman (uncredited)

Tom Coleman

Courtroom Spectator (uncredited)

Details

Status
Released
Original language
English
Languages
English
Budget
$2.3M
Revenue
$1.6M
Age rating
Quality
4K UHD · HDR10 · Dolby Vision
Production
Mercury ProductionsColumbia Pictures

Crew

Director

Orson Welles

Writers

Orson Welles, Sherwood King

Charles Lawton Jr.

Director of Photography

Heinz Roemheld

Original Music Composer

Jean Louis

Costume Design

Viola Lawrence

Editor

Gallery

Reviews

CinemaSerf

6/20/2023

7.0

This is another film where the two top-billed - Rita Hayworth ("Elsa") and Orson Welles ("Michael") are outshone by a strong supporting effort. This time, that comes from Everett Sloane. Here, he is renowned barrister "Bannister" who needs crutches to walk and is married to the restless "Elsa". She was taking a cab through the park one night when accosted by robbers. "Michael" was passing and came to the rescue. Next thing "Bannister" is asking him to come work on their luxury yacht. Clearly, he is attracted to the wife and soon a rather complex game is afoot - but who is playing whom? Meantime, "Grisby" *Glenn Anders) - the partner of "Bannister" in their law firm tries to embroil "Michael" in a rather cunning wheeze to create a corpse-less crime enabling him to flee his overbearing wife and claim some insurance money. It isn't long before the corpses do start to pile up and "Michael" is front and centre in the courtroom defended by "Bannister" for murder. Who actually did the killing, though? The film is very much at it's best with a strong performance from Hayworth, Welles and Sloane all playing against each other. I found the parallel plot to all be just a bit far-fetched. The ending is cracking, though - and though perhaps I felt there was a little injustice in it, it works really well. The production looks great, Hayworth dons her sailor's cap with panache and though a bit lumbering, Welles gels quite well with her as we progress. Good film, this.