Feature1945·87m·5.6

Strange Illusion

ThrillerMystery

An adolescent believes that his widowed mother's suitor may have murdered his father.

Play now

Cast

Jimmy Lydon

Paul Cartwright

Warren William

Brett Curtis

Sally Eilers

Virginia Cartwright

Regis Toomey

Dr. Vincent

Charles Arnt

Professor Muhlbach

George H. Reed

Benjamin

Jayne Hazard

Dorothy Cartwright

Jimmy Clark

George

Mary McLeod

Lydia

Pierre Watkin

Armstrong

Sonia Sorel

Miss Farber

Victor Potel

Mac

George Sherwood

Langdon

Gene Roth

Sparky

John Hamilton

Mr. Allen

Theresa Harris

Maid (uncredited)

Details

Status
Released
Original language
English
Languages
English
Budget
Revenue
Age rating
Quality
4K UHD · HDR10 · Dolby Vision
Production
PRC

Crew

Director

Edgar G. Ulmer

Writers

Fritz Rotter, Adele Comandini

Leo Erdody

Original Music Composer

Philip Tannura

Director of Photography

Carl Pierson

Editor

Gallery

Reviews

CinemaSerf

3/22/2025

7.0

Shortly after his father dies, the bright young “Paul” (Jimmy Lydon) starts to have nightmares that his mother’s new beau is, in some way, behind the death. Of course, she (Sally Ellers) doesn’t know of his spooky suspicions, but he does confide in his doctor (Regis Toomey) who is sceptical to begin with, but who begins to wonder if this man “Curtis” (Warren William) is indeed whom he claims to be. Might he have had an hand in the seemingly accidental death of the father - who was a judge? As the story develops, the young lad has to take up residence at the asylum of the enigmatic “Prof. Muhlbach” (Charles Ant) and the plot thickens more. Is there any truth to his dreaming or is he just a succumbing to the stresses and strains of his father’s death and of his mother’s impending nuptials? Lydon holds this together enthusiastically and as the mystery deepens, it has a slightly more sinister feel to it than many of these standard afternoon features. It also touches, albeit superficially, on the effects of grief on the young man and offers us something psychologically plausible for a while as “Paul” struggles to conclude himself whether he is correct or just losing the plot. Speaking of plots, yes there are some familiarities with other noir mysteries here, but Lydon does well and this certainly is just a little more menacingly different.