FeatureR1992·111m·6.6

Damage

Desire... Deceit... Destiny...

DramaRomance

The life of a respected British politician at the height of his career crumbles when he becomes obsessed with his son's lover.

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Cast

Jeremy Irons

Dr. Stephen Fleming

Juliette Binoche

Anna Barton

Miranda Richardson

Ingrid Fleming

Rupert Graves

Martyn Fleming

Peter Stormare

Peter Wetzler

Gemma Clarke

Sally Fleming

Ian Bannen

Edward Lloyd

Julian Fellowes

Donald Lyndsay, MP

Leslie Caron

Elizabeth Prideaux

Tony Doyle

Prime Minister

Ray Gravell

Raymond

Susan Engel

Miss Snow

David Thewlis

Detective

Benjamin Whitrow

Civil Servant

Jeff Nuttall

Trevor Leigh Davies MP

Roger Llewellyn

Palmer

Jason Morell

Young Man at Sotheby's

Barry Stearn

Prime Minister's Aide

Linda Delapena

Beth

Francine Stock

TV Interviewer

Details

Status
Released
Original language
English
Languages
English, French, German, Italian
Budget
$11.0M
Revenue
$31.0M
Age rating
R
Quality
4K UHD · HDR10 · Dolby Vision
Production
Skreba FilmsFilm4 ProductionsLe Studio Canal+Nouvelles Éditions de Films

Crew

Director

Louis Malle

Writers

David Hare, Josephine Hart

Zbigniew Preisner

Original Music Composer

Peter Biziou

Director of Photography

John Bloom

Editor

Brian Morris

Production Design

Milena Canonero

Costume Design

Gallery

Reviews

Bazzjazz

4/26/2018

8.0

Harrowing movie, Juliette Binoche and Jeremy Irons have great chemistry. It’s a very ‘arty’ film . But it leaves you feeling queasy when you realize the consequences. Good show!

CinemaSerf

8/26/2023

6.0

Jeremy Irons is a happily married (to Miranda Richardson) British government minister who meets his usually quite rakish son's (Rupert Graves) latest girlfriend (Juliette Binoche). The two click immediately - and soon they are doing a lot more than just clicking. That's about it - they carry out their clandestine liaison with all it's concomitant risks and thrills before an ending that I really thought underwhelming. This is one of the frequently wooden Irons' better efforts, Graves still has his "Scudder" hair from "Maurice" (1987) and Binoche works well as the femme fatale, but somehow the story just plods along. It looks good, but the pace is all just to procedural and aside from the pitiable, and under-used, Richardson, the remaining characters engender little that is likeable or personable. Even the (infrequent) sex scenes lack intimacy or intensity; it's all just a little bit A+B=C, for me.