FeatureR1987·140m·7.6

Maurice

A love story of unforgettable passion.

DramaRomance

After his lover rejects him, Maurice attempts to come to terms with his sexuality within the restrictiveness of Edwardian society.

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Cast

James Wilby

Maurice Hall

Hugh Grant

Clive Durham

Rupert Graves

Alec Scudder

Denholm Elliott

Dr. Barry

Simon Callow

Mr. Ducie

Billie Whitelaw

Mrs. Hall

Barry Foster

Dean Cornwallis

Judy Parfitt

Mrs. Durham

Phoebe Nicholls

Anne Durham

Patrick Godfrey

Simcox

Mark Tandy

Risley

Ben Kingsley

Lasker-Jones

Kitty Aldridge

Kitty Hall

Helena Michell

Ada Hall

Catherine Rabett

Pippa Durham

Peter Eyre

Rev. Borenius

Michael Jenn

Archie

Mark Payton

Chapman

Orlando Wells

Young Maurice

Maria Britneva

Mrs. Sheepshanks

Details

Status
Released
Original language
English
Languages
English
Budget
$2.6M
Revenue
$2.4M
Age rating
R
Quality
4K UHD · HDR10 · Dolby Vision
Production
Merchant Ivory ProductionsCinecom PicturesMaurice ProductionsFilm4 Productions

Crew

Director

James Ivory

Writers

Kit Hesketh-Harvey, James Ivory, E.M. Forster

Richard Robbins

Original Music Composer

Pierre Lhomme

Director of Photography

Katherine Wenning

Editor

Jenny Beavan

Costume Design

Brian Ackland-Snow

Production Design

John Bright

Costume Design

Gallery

Reviews

CinemaSerf

3/31/2024

7.0

James Wilby is at his best here depicting the eponymous E.M. Forster character who takes rather a shine to his university colleague "Clive" (Hugh Grant). Of course not only is same sex fun illegal, it's looked upon very unfavourably by the Oxford set - even if most of them have had the odd dabble themselves. "Clive" is not really the commitment sort - he cares more for conforming and taking his well-heeled place in society, but "Maurice" seems more dyed-in-the-wool. His sexuality less fluid and his frustrations ever increasing. It's on a trip to see his friend and new wife "Anne" (Phoebe Nicholls) that he encounters their charming under-gamekeeper "Scudder" (Rupert Graves) and despite the differences in their social standing, at at some peril to his reputation, they embark on something that could just change both of their lives. Whilst the whole thing is set amongst the rarified environment of the English upper classes, it's still a potent reminder of life in a proscriptive society that though nothing of jail with hard labour for men caught with other men. There's a strong supporting cast, typical of these quality Marchant Ivory productions - Simon Callow, Billie Whitelaw and Judy Parfitt to name but three (I'm sure I saw Helena Bonham Carter in here too) and the look of the film - the settings, costumes and overall production design give it an authenticity and sheen. For me, the film belongs to Graves. His cheeky, well meaning and naive young character epitomising just what was wrong with the very fabric of a society that abhorred and punished his sexuality. With a swipe at the medical professional - and quackery in general - along the way, this whole thing is a classy and stylish assessment of a life that never, quite, feels real.