FeaturePG-132022·105m·7.5

Lifemark

Hope is at the heart of every journey.

Drama

David's comfortable world is turned upside down when his birth mother Melissa unexpectedly reaches out, longing to meet the eighteen year old son she's only held once.

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Cast

Raphael Ruggero

David Colton

Kirk Cameron

James Colton

Dawn Long

Melissa Cates

Rebecca Rogers

Susan Colton

Alex Kendrick

Shawn Cates

Marisa Lynae Hampton

Young Melissa Cates

Isabelle Almoyan

Reese

Lowrey Brown

Brian

Ezra DuVall

Presley

Harlen Ernest

Mr. Russell

Elliana Papageorgiou

Anna

Stephanie Parker

Azure

Kathy Patterson

G

Larrs Jackson

Paw Paw

Justin Sterner

Nate

Amber Sweet Sterner

Clinic Employee

David Colton

Doctor

Details

Status
Released
Original language
English
Languages
English
Budget
Revenue
$5.0M
Age rating
PG-13
Quality
4K UHD · HDR10 · Dolby Vision
Production
Kendrick Brothers

Crew

Director

Kevin Peeples

Writers

Kevin Peeples, Alex Kendrick, Stephen Kendrick, David Scotton

Bob Scott

Director of Photography

Katherine Tucker

Production Design

Alex Kendrick

Editor

Kevin Peeples

Editor

Bill Ebel

Editor

Gallery

Reviews

CinemaSerf

7/17/2023

5.0

It probably wouldn’t be fair to just trash this film out of hand. There will doubtless be many who find the pro-life message it emphasises life-affirming. As a piece of cinema, though, it is a shockingly simplistic and one-sided attempt to suggest to young women facing that most difficult of decisions that all in the garden is ridiculously rosy! We start with “David” (the easy on the Raphael Ruggero) whom we discover has been adopted by the Christian (that’s important) Colton family - “Jimmy” (Kirk Cameron) and “Susan” (Rebecca Rogers). They live a happy life with the young man a keen wrestler about to go on to college. Sadly, though, injury befalls him and after surgery to relieve pressure on his brain - the recovery from which would put Lazarus to shame - he has to rethink his plans. Meantime, his birth mother realises that he is now eighteen and so attempts to get in touch. The rest of this rather sentimentally cheesy drama follows a slightly nauseating path, I found, aided unhelpfully by his rather irritating mate “Nate” (Justin Sterner) who insisted on filming everything on his phone - even some of the most sensitive and personal moments as the story evolves with an almost menacing degree of indoctrinating pontification - subtle, yes - as an air raid! The acting, especially from the adults, is twee and pedestrian in the extreme with adulation and fawning galore as we plod along towards an ending that I found supremely condescending. This is at best, a mediocre television movie that should only be shown in cinemas with a warning that it completely lacks any sense of balance. The soundtrack is also banal - plinky plonky piano chords just to reinforce the gloopiness. I didn’t hate it. Cameron et al are entitled to their point of view, but if this is supposed to be in any way educational or realistic, then I’m Tom Thumb!

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