Feature1919·89m·6.9

Broken Blossoms or The Yellow Man and the Girl

A tale of forbidden love.

DramaRomance

The love story of an abused English girl and a Chinese Buddhist in a time when London was a brutal and harsh place to live.

Play now

Cast

Lillian Gish

Lucy Burrows

Richard Barthelmess

Cheng Huan

Donald Crisp

Battling Burrows

Arthur Howard

Burrows' Manager

Edward Peil Sr.

Evil Eye

George Beranger

The Spying One

Norman Selby

A Prizefighter

Ernest Butterworth

Secondary Role (uncredited)

Frederic Hamen

Secondary Role (uncredited)

Wilbur Higby

London Policeman (uncredited)

Man-Ching Kwan

Buddhist Monk (uncredited)

Bobbie Mack

Ringside Employee (uncredited)

Moy Ming

Minor Role (uncredited)

Steve Murphy

Fight Spectator (uncredited)

George Nichols

Police Constable (uncredited)

Karla Schramm

Burrows' Girlfriend (uncredited)

Bessie Wong

Girl in China (uncredited)

Details

Status
Released
Original language
English
Languages
Budget
Revenue
$2.4M
Age rating
Quality
4K UHD · HDR10 · Dolby Vision
Production
D.W. Griffith Productions

Crew

Director

D.W. Griffith

Writers

D.W. Griffith, Thomas Burke

Billy Bitzer

Director of Photography

James Smith

Editor

Gallery

Reviews

CinemaSerf

6/6/2022

7.0

Richard Barthelmess and an almost porcelain-looking Lilian Gish are both great in this intimate, beautifully photographed, tale of a true love. Gish is a young girl from London's East end who is persistently brutalised by her violent pugilist father. Barthelmess is a man newly arrived from China bent on encouraging the British to seek the peaceful ways of the Buddha. From his small emporium, he espies this young girl and after one particularly horrific attack by her father, takes her in and nourishes her back to health. Sadly, bigotry and intolerance are still pretty rife and when her father discovers where she has taken refuge, tragedy ensues... It's a simple story, very well executed by D.W. Griffith with a delightful style to it. An early outing for Donald Crisp as her bruiser father is a little hammy at times, he flexes his muscles and his grimace a little too theatrically - but the story is tightly told with empathy for the girl, sympathy for the boy and a gently bubbling hatred for the father for whom just desserts can only be a matter of time.