Feature2022·91m·7.1

Driving Madeleine

ComedyDrama

A seemingly simple taxi ride across Paris evolves into a profound meditation on the realities of the driver, whose personal life is in shambles, and his fare, an elderly woman whose warmth belies her shocking past.

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Cast

Line Renaud

Madeleine

Dany Boon

Charles

Alice Isaaz

Madeleine, jeune

Gwendoline Hamon

Denise

Hadriel Roure

Mathieu jeune

Elie Kaempfen

Matt

Christophe Rossignon

Le Président du tribunal

Jérémie Laheurte

Raymond Haguenot, dit Ray

Julie Delarme

Karine

Thomas Alden

Mathieu (adulte)

Agathe L'Huillier

Standardiste taxi (voice)

Alexandra Mercouroff

Directrice ehpad (voice)

Antonin Carion

Meneur groupe enfants 1944

Arthur Girard

Comédien théâtre

Bertrand Ornano

Comédien théâtre

Carl Laforêt

Automobiliste énervé

Christian Carion

Le notaire

Christian Mupondo

Agent entretien ehpad

Elvire Lestrade

Comédienne théâtre

Frédéric Cherboeuf

Grégoire (voice)

Details

Status
Released
Original language
French
Languages
French
Budget
$2.9M
Revenue
Age rating
Quality
4K UHD · HDR10 · Dolby Vision
Production
Une Hirondelle ProductionsArtémis ProductionsTF1 Films ProductionPathéBright Lights FilmsKobayashi Prod.

Crew

Director

Christian Carion

Writers

Cyril Gely, Christian Carion

Pierre Cottereau

Director of Photography

Philippe Rombi

Original Music Composer

Loïc Lallemand

Editor

Chloé Cambournac

Production Design

Agnès Noden

Costume Design

Gallery

Reviews

CinemaSerf

3/8/2026

7.0

“Charles” (Dany Boon) is a Parisian taxi driver at the end of his tether when he is given a job on the other side of the city. He can’t really be bothered but it’s a lucrative fare so he sets off to pick up “Mme. Keller” (Line Renaud). She’s 92 years of age and is reluctantly having to move into an old folks home. As they proceed to navigate the busy traffic their initially monosyllabic chat becomes more intensive, intimate and confidential as she reveals some fairly private and traumatic details of her life thus far whilst he reciprocates over a few coffees, a run in with the gendarmes, some ice cream and a lot of quite poignant conversation. Much of her backstory is played out for us thanks to Alice Isaaz as her younger self and Jérémie Laheurte as her husband/tormentor for whose aggression she has an eye-wateringly effective solution, and there is also a son “Mathieu” (Hadriel Roure/Thomas Alden) who has also been formative in seeing this old lady arrive at her current perspective on life. It’s really the engagingly crafted dialogue, set within the confines of their car, that keeps this appealing as both characters gel nicely amidst a nicely balanced mix of the serious and the more frivolous and though the actual conclusion steers perilously close to sentimentality for me, it’s still an enjoyable observation of age and attitudes that I did quite enjoy.