FeaturePG-131983·100m·6.5

The Hound of the Baskervilles

Holmes and Watson's most chilling case... an age-old curse... a ravenous monster...

HorrorCrimeMysteryTV Movie

When a nobleman is threatened by a family curse on his newly inherited estate, detective Sherlock Holmes is hired to investigate.

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Cast

Ian Richardson

Sherlock Holmes

Donald Churchill

Dr. John Watson

Denholm Elliott

Dr. Mortimer

Glynis Barber

Beryl Stapleton

Brian Blessed

Geoffrey Lyons

Eleanor Bron

Mrs. Barrymore

Edward Judd

Barrymore

Ronald Lacey

Inspector Lestrade

Martin Shaw

Sir Henry Baskerville

Connie Booth

Laura Lyons

David Langton

Sir Charles Baskerville

Eric Richard

Cabbie

Peter Rutherford

Selden

Nicholas Clay

Jack Stapleton

Michael Burrell

Cindy O'Callaghan

Francesca Gonshaw

Details

Status
Released
Original language
English
Languages
English
Budget
Revenue
Age rating
PG-13
Quality
4K UHD · HDR10 · Dolby Vision
Production
Mapleton Films

Crew

Director

Douglas Hickox

Writers

Arthur Conan Doyle, Charles Edward Pogue

Malcolm Cooke

Editor

Sue Whatmough

Costume Design

Michael Stringer

Production Design

Ronnie Taylor

Director of Photography

Gallery

Reviews

CinemaSerf

11/9/2025

6.0

Ian Richardson delivers quite engagingly here as Sir Arthur Conan Doyle’s fastidious detective “Sherlock Holmes” but I didn’t get so much from Donald Churchill’s contributions as his crucial sidekick “Dr. Watson” in this adapted for television movie. They are intrigued by the mysterious death of an aristocrat at his country home on remote Dartmoor and so descend on the place, at the invitation of “Dr. Mortimer” (Denholm Elliott) and with the new lord of the manor “Sir Henry” (Martin Shaw) to try and ascertain whether there is any truth to local rumours of a legendary hound tormenting the ancestors of the “Baskerville” family. Amidst the dense fog and with a quagmire lurking underfoot eagerly awaiting one false step, it’s a dangerous place to be! I thought Shaw, and his dodgy accent, also rather let this down but otherwise the production elements do work quite well and it looks good as they try to piece things together. It is quite tightly scripted; the supporting cast boasts an array of familiar British faces and the story is consistently paced as it builds nicely to a conclusion that isn’t quite as cinematically menacing as from 1939 or from 1959, but it is still quite effective. It’s all in the eyes…!

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