FeatureR1974·105m·7.5

The Taking of Pelham One Two Three

We are going to kill one passenger a minute until New York City pays us 1 million dollars.

CrimeThrillerAction

In New York, armed men hijack a subway car and demand a ransom for the passengers while the authorities question about the method of their escape.

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Cast

Walter Matthau

Lieutenant Garber

Robert Shaw

Blue

Martin Balsam

Green

Héctor Elizondo

Grey

Earl Hindman

Brown

James Broderick

Denny Doyle

Dick O'Neill

Correll

Lee Wallace

Mayor

Tom Pedi

Caz Dolowicz

Beatrice Winde

Mrs. Jenkins

Jerry Stiller

Rico Patrone

Nathan George

Ptl. James

Rudy Bond

Police Commissioner

Kenneth McMillan

Borough Commander

Doris Roberts

Mayor's Wife

Julius Harris

Inspector Daniels

Cynthia Belgrave

Maid

Anna Berger

Mother

Gary Bolling

Homosexual

Carol Cole

Secretary

Details

Status
Released
Original language
English
Languages
English
Budget
Revenue
Age rating
R
Quality
4K UHD · HDR10 · Dolby Vision
Production
Palomar Pictures InternationalPalladium Productions

Crew

Director

Joseph Sargent

Writers

Peter Stone, John Godey

David Shire

Original Music Composer

Gerald B. Greenberg

Editor

Owen Roizman

Director of Photography

Robert Q. Lovett

Editor

Anna Hill Johnstone

Costume Design

Gallery

Reviews

CinemaSerf

1/18/2024

7.0

Robert Shaw is great in this tensely presented heist thriller with a difference. Allied with Martin Balsam's "Green", Hector Elizondo as "Grey" and Earl Hindman's "Brown" they meticulously hijack a subway train and hold the city to ransom for $1 million. It falls to grizzled transit cop "Garber" (Walter Matthau) to try and second-guess their plans before they start killing one passenger per minute! What adds suspence to this mystery is their potential escape route? Stuck in well mapped and monitored tunnels fifty food beneath street level, how are they planning on getting their loot to Cuba? Joesph Sargent gets loads from an established cast of players here who develop the sense of peril and excitement well - especially the master of less-is-more that is Robert Shaw. It's good to see Matthau demonstrate he's not just about whacky comedy and as the plot reaches it's duplicitous, nerve-wracking denouement with even some space for a delicious irony at the end. The photography captures well the dark and claustrophobically dingy subterranean environment as well as the increasingly frenetic command centre where "Garber" is being wound up by track manager "Correll" (Dick O'Neill) whilst facing increasingly pressure from the hapless mayor (Lee Wallace). Pay them or have your electorate slaughtered? What would you do...?