FeatureR2022·99m·6.6

Orphan: First Kill

There's always been something wrong with Esther.

HorrorThriller

After escaping from an Estonian psychiatric facility, Leena Klammer travels to America by impersonating Esther, the missing daughter of a wealthy family. But when her mask starts to slip, she is put against a mother who will protect her family from the murderous “child” at any cost.

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Cast

Isabelle Fuhrman

Leena Klammer / Esther Albright

Matthew Finlan

Gunnar Albright

Julia Stiles

Tricia Albright

Rossif Sutherland

Allen Albright

Hiro Kanagawa

Detective Donnan

Samantha Walkes

Dr. Segar

David Lawrence Brown

Dr. Novotny

Alec Carlos

Mike

Lauren Cochrane

Officer Leahy

Gwendolyn Collins

Anna Troyev

Kristen Sawatzky

Federica

Jeff Strome

Lobby Guard

Andrea del Campo

Betsy

Alicia Johnston

Karen

Liam Stewart-Kanigan

Dude 1

Jade Michael

Girl 1 / Madison

Sarah Luby

Receptionist / Claire

Maxwell Nelson

Little Boy

Bradley Sawatzky

Officer Kusnetsov

Stephanie Sy

Flight Attendant

Details

Status
Released
Original language
English
Languages
English
Budget
$10.0M
Revenue
$9.6M
Age rating
R
Quality
4K UHD · HDR10 · Dolby Vision
Production
Dark Castle EntertainmentEntertainment OneEagle Vision

Crew

Director

William Brent Bell

Writers

Alex Mace, David Leslie Johnson-McGoldrick, Alex Mace, David Coggeshall

Kim H. Ngo

Costume Design

Matthew Davies

Production Design

Josh Ethier

Editor

Karim Hussain

Director of Photography

Brett Detar

Original Music Composer

Gallery

Reviews

CinemaSerf

8/29/2022

5.0

"Esther" (Isabelle Fuhrman) is the resident of an high security facility in Estonia where she is a distinct danger to anyone who crosses her path! Rather gorily, she engineers a daring escape and somehow manages to get to the United States where she convinces "Allen" (Rossif Sutherland) that she is his long lost daughter. Well whilst dad might be fooled, the wife "Tricia" (Julia Stiles) and her son "Gunnar" (Matthew Finlan) soon catch on - but it seems that they have secrets of their own to keep. Can an uneasy truce prevail between them? Well, no - of course not but frankly I really couldn't have cared less. She is all too readily accepted into the wealthy American family (no DNA tests with her father to verify?) and as the story plods along, it loses any grasp on plausibility. We are required to believe that "Esther" is this epitome of evil, but the plot has more holes than a Swiss cheese so I kept asking myself just how any of this could ever actually happen - even in cinema land. It does have the benefit of being quite short, and to be fair to director William Brent Bell, he doesn't hang around once what passes for the story gets going. I just found the whole thing too nonsensical and the lead character had more of a petulance to her than any believable sense of menace.

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