Feature1967·105m·6.4

Accident

The story of a love triangle... and the four people trapped in it!

RomanceDrama

Stephen is a professor at Oxford University who is caught in a rut and feels trapped by his life in both academia and marriage. One of his students, William, is engaged to the beautiful Anna, and Stephen becomes enamored of the younger woman. These three people become linked together by a horrible car crash, with flashbacks providing details into the lives of each person and their connection to the others in this brooding English drama.

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Cast

Dirk Bogarde

Stephen

Stanley Baker

Charley

Jacqueline Sassard

Anna

Michael York

William

Vivien Merchant

Rosalind

Delphine Seyrig

Francesca

Alexander Knox

Provost

Ann Firbank

Laura

Brian Phelan

Police Sergeant

Terence Rigby

Plain Clothed Policeman

Freddie Jones

Man in Bell's Office

Jill Johnson

Secretary

Jane Hillary

Receptionist

Maxwell Caulfield

Ted

Carole Caplin

Clarissa

Harold Pinter

Bell - TV Producer

Nicholas Mosley

Don Hedges

Steven Easton

Stephen & Rosalind's Baby (uncredited)

Details

Status
Released
Original language
English
Languages
English
Budget
$600,000
Revenue
Age rating
Quality
4K UHD · HDR10 · Dolby Vision
Production
Royal Avenue Chelsea

Crew

Director

Joseph Losey

Writers

Nicholas Mosley, Harold Pinter

John Dankworth

Original Music Composer

Gerry Fisher

Director of Photography

Reginald Beck

Editor

Beatrice Dawson

Costume Design

Gallery

Reviews

CinemaSerf

2/10/2023

6.0

Dirk Bogarde is a philosophy professor at Oxford University - happily married with two children; and another on the way. He has a favourite student - Michael York who is keen on a newcomer; the glamorous Austrian Jacqueline Sassard. They have a Sunday lunch with an additional guest in Stanley Baker - a fellow professor who is struggling with his own marriage; as well as his - envy evoking - television career. It's a sort of intellectual menage-à-trois - Bogarde fancies his Austrian student but she has eyes on both York and Baker... Even the consumption of excesses of booze at the lunch/dinner/supper doesn't inject much into this. It lacks any degree of edginess or depth - but merely provides us with a spotlight on the bored, affected, educational middle-classes that doesn't really shine anything beyond highlighting the shallowness of the characters created by Nicholas Mosley - and not really enhanced much by Harold Pinter.. The performances, especially from Baker, are good but there just isn't enough substance to generate a spark!