Feature2020·107m·6.3

Books of Blood

All stories end here.

HorrorScience Fiction

A journey into uncharted and forbidden territory through three tales tangled in space and time.

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Cast

Britt Robertson

Jenna

Freda Foh Shen

Ellie

Nicholas Campbell

Sam

Anna Friel

Mary

Rafi Gavron

Simon

Yul Vazquez

Bennett

Andy McQueen

Steve

Kenji Fitzgerald

Gavin

Paige Turco

Nicole

Saad Siddiqui

Dan

Glen Lefchak

Balsam

Brett Rickaby

Bookman

Matt Bois

Peter

Etienne Kellici

Miles

Cory Lee

Chelsea

Greg Fong

Kun

Sean Skerry

Lasky

Andrew Moodie

Sheriff

Catherine Burdon

Doctor

Marietta Laan

Grad Student

Details

Status
Released
Original language
English
Languages
English
Budget
Revenue
Age rating
Quality
4K UHD · HDR10 · Dolby Vision
Production
Fuzzy Door ProductionsTouchstone Television

Crew

Director

Brannon Braga

Writers

Brannon Braga, Adam Simon, Clive Barker

Joel J. Richard

Original Music Composer

Michael Dallatorre

Director of Photography

Matt Likely

Production Design

John Duffy

Editor

Gallery

Reviews

tmdb28039023

8/30/2022

2.0

Books of Blood is a horror anthology ostensibly based on an eponymous series of short story collections by Clive Barker. The movie is divided into several segments, but there are only two distinguishable stories, and only one of them has its origin in a Barker text. There’s about 30 minutes worth of a good movie here; visually evoking the best of Hellraiser and narratively full of rich irony and poetic justice. Even if Barker was not involved (and I assume he wasn’t), and even if the filmmakers take creative liberties, the strength of the source material shines through; it’s recognizably Clive Barker and it’s given a first rate treatment. The problem is that the rest of movie has nothing to do with the original Books of Blood, and doesn’t come close to the Barker’s level of sophistication and intellect; it doesn’t even qualify as a pastiche. This is not to say its ideas aren’t sound, and in fact it has a couple of neat tricks up its sleeve (in particular the composition of certain shots). This is the director’s is first feature film and it shows potential, but next time he might want to work without the comfort, or the constraints, of a figurative safety net. Why not make your own movie, tell your own story, make a name for yourself, instead of sheltering under an iconic name that ultimately won’t attract praise any more than it will repel criticism? Even if he failed, at least it would be on his own terms.