FeatureR1999·121m·5.4

One Man's Hero

One man's hero is another man's traitor.

WesternActionDramaHistory

One Man's Hero tells the little-known story of the "St. Patrick's Battalion" or "San Patricios," a group of mostly Irish and other immigrants of the Catholic faith who deserted to Mexico after encountering religious and ethnic prejudice in the U.S. Army during the Mexican-American War. The plot centers around the personal story of John Riley, an Irishman who had been a sergeant in the American Army who is commissioned as a captain in the Mexican army and commands the battalion, as he leads his men in battle and struggles with authorities on both sides of the border

Play now

Cast

Tom Berenger

Captain John Riley

Joaquim de Almeida

Cortina

Daniela Romo

Marta

Mark Moses

Col. Benton Lacy

Stuart Graham

Corporal Kenneally

Gregg Fitzgerald

Paddy Noonan

Don Wycherley

Brian Athlone

Wolf Muser

Cpl. Schultz

Luke Hayden

Seamus McDougherty

Ilia Volok

Daniel Grzbalski

Patrick Bergin

General Winfield Scott

James Gammon

General Zachary Taylor

Carlos Carrasco

Dominguez

Stephen Tobolowsky

Captain Gaine

Dermot Martin

Seamus Fitzgerald

Mark Thomas

McFadden

Details

Status
Released
Original language
English
Languages
English
Budget
Revenue
Age rating
R
Quality
4K UHD · HDR10 · Dolby Vision
Production
Arco Films S.LHool/Macdonald ProductionsFilmaxSilver Lion FilmsProducciones San PatriciaTelevisa

Crew

Director

Lance Hool

Writers

Milton S. Gelman

Mark Conte

Editor

Matthew Jacobsen

Costume Design

Carol H. Beule

Costume Design

João Fernandes

Director of Photography

Ernest Troost

Original Music Composer

Peter Wooley

Production Design

Gallery

Reviews

SPDonlan

7/20/2024

7.0

Terrific material; terrible movie. By the nineteenth century, Irish catholic soldiers had centuries of experience abroad, in the service of the British Empire, as well as in continental armies and across South America. Here, the St Patrick's Battalion, a largely Irish unit, defends Mexico in the Mexican-American War (1846-1848). There are complex subjects here – American imperialism and racism, patriotism and pan-religious loyalties – all in the period of the Great Famine (1845-1852). But the film is so melodramatic, so poorly produced, directed, and acted, that it’s difficult to trust any of it, even by the standards of historical accuracy in film.