FeaturePG1956·79m·5.6

Mohawk

Their untamed love spoke louder than war drums!

ActionWestern

An artist working in a remote army post is juggling the storekeeper's daughter, his fiancée newly arrived from the east, and the Indian Chief's daughter. But when a vengeful settler manages to get the army and the braves at each other's throats his troubles really begin.

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Cast

Scott Brady

Jonathan Adams

Rita Gam

Onida

Neville Brand

Rokhawah

Lori Nelson

Cynthia Stanhope

Allison Hayes

Greta Jones

John Hoyt

Butler

Rhys Williams

Clem Jones

Barbara Jo Allen

Aunt Agatha

Mae Clarke

Minikah

Tommy Cook

Keoga

Ted de Corsia

Indian Chief Kowanen

Michael Granger

Mohawk Priest

John Hudson

Captain Langley

James O'Hara

Sergeant (as James Lilburn)

Chabon Jadi

Dancer

Clegg Hoyt

Wagon Driver (uncredited)

Albert William Cody

Indian Chief (uncredited)

Paul Lukather

Angry Settler (uncredited)

Bob Reeves

Settler (uncredited)

Chick Hannan

Settler (uncredited)

Details

Status
Released
Original language
English
Languages
English, French
Budget
Revenue
Age rating
PG
Quality
4K UHD · HDR10 · Dolby Vision
Production
Edward L. Alperson Productions

Crew

Director

Kurt Neumann

Writers

Maurice Geraghty, Maurice Geraghty, Milton Krims, Milton Krims

Edward L. Alperson Jr.

Original Music Composer

Karl Struss

Director of Photography

William B. Murphy

Editor

Gallery

Reviews

CinemaSerf

6/2/2022

6.0

This was clearly just intended as a cheap and cheerful afternoon B feature, and it does that job adequately enough. The hunky, if somewhat wooden Scott Brady is "Jonathan" - an artist who finds himself embroiled in a love triangle between "Onida" (Rita Gam) and "Cynthia" (Lori Nelson) whilst dealing with the much less dangerous threat of a war between the local Mohawk and Iroquois who are being armed and supplied by a nasty sutler content to play one against the other. As usual, Rhys Williams steals his few scenes as the only source of charisma in this otherwise entirely procedural western. It doesn't hang about, though - aside from the all too frequent romantic interludes, the story is something from a 1950s comic and moves along quite efficiently. A hero who is guaranteed to save the day and get the gal - regardless of the overwhelming odds stacked against him. The production is very set-bound, which at times is quite noticeable, but I'm sure it had a modest budget and filming timescale and it actually does ok with the mediocre talent at hand to turn out an enjoyable enough, but entirely forgettable, boy's-own style of adventure with a soupçon of moral fortitude thrown in.