Feature2019·130m·6.4

Into the Labyrinth

ThrillerMystery

When a kidnapping victim turns up alive after fifteen years, a profiler and a private investigator try to piece together the mystery.

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Cast

Toni Servillo

Bruno Genko

Dustin Hoffman

Dottor Green

Valentina Bellè

Samantha Andretti

Vinicio Marchioni

Simon Berish

Riccardo Cicogna

Paul Macinsky

Caterina Shulha

Linda

Orlando Cinque

Bauer

Filippo Dini

Delacroix

Sergio Grossini

Peter Lai / Rizzo

Carla Cassola

Sig.ra Wilson

Luis Gnecco

Mordecai Lumann

Stefano Rossi Giordani

Ragazzo con cicatrice

Riccardo Von Hoenning O’Carrol Cicogna

Paul Macinsky

Sergio Leone

Bunny

Marta Richeldi

Signora Lai

Diego Facciotti

Prete

Details

Status
Released
Original language
Italian
Languages
Italian
Budget
$4.0M
Revenue
$2.5M
Age rating
Quality
4K UHD · HDR10 · Dolby Vision
Production
GavilaMedusa FilmColorado Film ProductionBanca Sella Patrimoni

Crew

Director

Donato Carrisi

Writers

Donato Carrisi, Donato Carrisi

Federico Masiero

Director of Photography

Tonino Zera

Production Design

Patrizia Chericoni

Costume Design

Massimo Quaglia

Editor

Gallery

Reviews

CinemaSerf

5/26/2024

6.0

It probably didn't help my enjoyment of this thriller that every time I saw Dustin Hoffman I kept thinking he was Jack Klugman! The intriguing story follows the tale of the recently liberated "Samantha" (Valentina Bellè) who has emerged after some fifteen years of captivity in what she describes as a fairly malevolent labyrinth. It demanded that she complete tasks set by her rather more menacing version of a Rubik's Cube if she is to eat, or sleep - and all of this is now being discussed with "Dr. Green" (Hoffman). Meantime, much to the chagrin of the police, private investigator "Genko" (Toni Servillo) is also trying to find out just what happened, and he believes she is not the only victim of this horror. As the story develops, we begin to suspect that somethings aren't right - is she making the whole thing up? It seems so fantastic; we can't really tell fact from fiction either. Sadly, though, Donato Carrisi doesn't fare so well at directing this Benicio del Toro style of dark mystery. At just over two hours long, the film meanders all too often. The plot isn't delivered in anything like a concentrated enough fashion to sustain the interest, and thought it does build well at times, the denouement is rushed and weakly delivered leaving too many new characters til last minute to complete the jigsaw. The acting is all pretty lacklustre and though I thought Servillo did try hard to create a puzzling sense of menace, the rest of this all just fell rather flat.