FeatureR2004·104m·6.1

The Ladykillers

The greatest criminal minds of all time have finally met their match.

ComedyCrimeThriller

An eccentric, if not charming Southern professor and his crew pose as a band in order to rob a casino, all under the nose of his unsuspecting landlord – a sharp old woman.

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Cast

Tom Hanks

Professor G.H. Dorr

Irma P. Hall

Marva Munson

Marlon Wayans

Gawain MacSam

J.K. Simmons

Garth Pancake

Tzi Ma

The General

Ryan Hurst

Lump Hudson

Diane Delano

Mountain Girl

George Wallace

Sherriff Wyner

John McConnell

Deputy Sheriff

Jason Weaver

Weemack Funthes

Stephen Root

Fernand Gudge

Baadja-Lyne Odums

Rosalie Funthes

Walter K. Jordan

Elron

George Anthony Bell

Preacher

Greg Grunberg

TV Commercial Director

Hallie Singleton

Craft Service

Robert Baker

Quarterback

Blake Clark

Football Coach

Amad Jackson

Doughnut Gangster

Aldis Hodge

Doughnut Gangster

Details

Status
Released
Original language
English
Languages
English
Budget
$35.0M
Revenue
$76.7M
Age rating
R
Quality
4K UHD · HDR10 · Dolby Vision
Production
Touchstone PicturesThe Jacobson CompanyMike Zoss Productions

Crew

Director

Ethan Coen

Writers

Ethan Coen, Joel Coen, William Rose

Ethan Coen

Editor

Joel Coen

Editor

Roger Deakins

Director of Photography

Carter Burwell

Original Music Composer

Dennis Gassner

Production Design

Mary Zophres

Costume Design

Gallery

Reviews

CinemaSerf

9/4/2023

5.0

There are some films that ought never to be remade, and many of the charming "Ealing Comedies" are amongst them. This one - originally from 1955 - was maybe not my favourite of these classic stories, but it still in no way deserved this imbecilic remake from the Coen brothers. Tom Hanks ("Prof. Dorr") is a typical Southern gentleman who inveigles his way into the home of elderly Christian lady "Marva Munson" (Irma P. Hall) and under the guise of practising their musical numbers, he and his gang set about committing a daring robbery of a casino located next door. What really wrecks this for me in the constant use of expletives. The original story is simple, slapstick even, with subtly paced humour that allows the story to develop in a gently menacing fashion. This is just a charm-free, in-your-face, frontal attack on your senses that rarely raises a smile, has nothing even remotely touching about it and even the old lady isn't averse to a little bit of angry behaviour that would have had Katie Johnson spinning in her grave. These original films are a crucial piece of the jigsaw puzzle that depicts the evolution of cinema comedy, and this is just a shockingly poor travesty of an adaptation.