FeaturePG2020·94m·5.8

Come Away

A story about courage, wonder, and never growing old.

FantasyAdventure

Before Alice went to Wonderland, and before Peter became Pan, they were brother and sister. When their eldest brother dies in a tragic accident, they each seek to save their parents from their downward spirals of despair until finally they are forced to choose between home and imagination, setting the stage for their iconic journeys into Wonderland and Neverland.

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Cast

Keira Chansa

Alice Littleton

Jordan A. Nash

Peter Littleton

Angelina Jolie

Rose Littleton

David Oyelowo

Jack Littleton

Reece Yates

David Littleton

Anna Chancellor

Eleanor Morrow

Clarke Peters

Mad Hatter

Michael Caine

Charlie

David Gyasi

James Littleton / CJ

Derek Jacobi

Mr. Brown

Jenny Galloway

Hannah O'Farrel

Ned Dennehy

Sam "Smee" Smiegel

Daniel Swain

George Darling

Ava Fillery

Wendy Darling

Jonathan Garcia

John Darling

Carter Thomas

Michael Darling

Jack Veal

Curly

Rishi Kuppa

Tootles

Alfie Hoang

Slightly

Nana Agyeman-Bediako

Nibs

Details

Status
Released
Original language
English
Languages
English
Budget
Revenue
$1.7M
Age rating
PG
Quality
4K UHD · HDR10 · Dolby Vision
Production
Fred FilmsYoruba SaxonEndurance MediaHammerstone StudiosTinRes EntertainmentACE Pictures Entertainment

Crew

Director

Brenda Chapman

Writers

Marissa Kate Goodhill, J.M. Barrie

Luciana Arrighi

Production Design

Jules O'Loughlin

Director of Photography

John Debney

Original Music Composer

Dody Dorn

Editor

Louise Stjernsward

Costume Design

Gallery

Reviews

tmdb28039023

9/6/2022

1.0

Come Away is a film about the power of imagination made by people who have none. This is not a script; it’s a mashup. Because it’s not enough to ruin one beloved children’s classic, this movie turns Alice and Peter Pan into biracial siblings whose parents are David Oyelowo and Angelina Jolie. The only way any of this would make any sense is if the entire story took place in either Neverland or Wonderland, which it most certainly doesn’t. Movies like this always remind me of Fran Lebowitz explaining that art shouldn’t be a democracy but an intellectual aristocracy. Here we have an interracial marriage set in a time and place where such a union would have been all but impossible. Ignoring the struggle for equality does a disservice to those who fought and died for it. The worst part is that the filmmakers lack the courage of their convictions, giving the dark-skinned Alice blonde highlights (which of course no one had in Victorian England). Do they actually think this is what happens when a blonde woman and a black man reproduce? Or are they afraid to make the character 'too black'? All these distractions, however, do not change the fact that the plot is hopelessly pedestrian; say what you will of Hook, but at least it had joie de vivre. How bad do you have to suck to co-opt two iconic characters and still come out with less than the sum of the parts?