Feature1949·97m·5.2

The Man on the Eiffel Tower

PARIS... GAY, ALLURING... MASKING A STRANGE ADVENTURE!

Thriller

A down-and-out student is hired to kill a wealthy woman. When someone else is suspected of the crime, the student taunts police until they realize that they may have to wrong man.

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Cast

Charles Laughton

Inspector Jules Maigret

Franchot Tone

Johann Radek

Burgess Meredith

Joseph Heurtin

Robert Hutton

Bill Kirby

Jean Wallace

Edna Wallace

Patricia Roc

Helen Kirby

Belita

Gisella Heurtin

George Thorpe

Comelieu

William Phipps

Janvier

William Cottrell

Moers

Chaz Chase

Waiter

Wilfrid Hyde-White

Professor Grollet

Howard Vernon

Inspector (uncredited)

Details

Status
Released
Original language
English
Languages
French, English
Budget
Revenue
Age rating
Quality
4K UHD · HDR10 · Dolby Vision
Production
A & T Film Productions, Inc.

Crew

Director

Burgess Meredith

Writers

Harry Brown, Georges Simenon

Stanley Cortez

Director of Photography

Louis Sackin

Editor

Gallery

Reviews

CinemaSerf

7/9/2022

6.0

It's unfortunate that the "Ansco" colour film used on this 1949 adaptation of Georges Simenon's novel "A Battle of Nerves" has made much of this rather dreary crime caper feel as if you are watching it through yellow cellophane. Despite Charles Laughton being quite decent in the role of the famous detective "Maigret" trying to track down a murderer and an extortionist, the thing just bumbles along for far too long peppered with far too many protracted establishing shots and way too much score. Director and co-star Burgess Meredith has lost much of his sense of objectivity or proportion as the story pondersouly creeps to a conclusion that involves the truly insipid Franchot Tone as the caviar sandwich loving "Radek". The book is complex and detailed, this is lacklustre and almost amateur in it's presentation - and but for the considerable skill of the star, it would struggle to be anything more than a post-war Parisian tourist video. I'm glad I watched it, but couldn't say I'd recommend it to any but fans of soulless sepia cinema.