Feature2018·107m·5.4

Non-Fiction

ComedyDramaRomance

Alain, a successful Parisian publisher struggling to adapt to the digital revolution, has major doubts about the new manuscript of Léonard, one of his long-time authors — another work of auto-fiction recycling his love affair with a minor celebrity. Selena, Alain’s wife, a famous stage actress, is of the opposite opinion.

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Cast

Guillaume Canet

Alain

Juliette Binoche

Selena

Vincent Macaigne

Léonard

Christa Théret

Laure

Nora Hamzawi

Valérie

Pascal Greggory

Marc-Antoine

Laurent Poitrenaux

Author, at Alain

Sigrid Bouaziz

Editor

Lionel Dray

Editor

Nicolas Bouchaud

David

Antoine Reinartz

Bookseller in Arles

Aurélia Petit

Guest of Marc-Antoine

Thierry de Peretti

Guest of Marc-Antoine

Violaine Gillibert

Paloma, Marc-Antoine's friend

Jean-Luc Vincent

Author of Marécage

Laëtitia Spigarelli

Amélia

Stéphane Roger

Selena's Agent

David Blot

Radio Host

Jeanne Candel

Press Officer

Olivia Ross

Laura's Friend

Details

Status
Released
Original language
French
Languages
French
Budget
Revenue
Age rating
Quality
4K UHD · HDR10 · Dolby Vision
Production
CG CinémaVortex SutraARTE France CinémaPlaytime

Crew

Director

Olivier Assayas

Writers

Olivier Assayas

Yorick Le Saux

Director of Photography

François-Renaud Labarthe

Production Design

Simon Jacquet

Editor

Jürgen Doering

Costume Design

Gallery

Reviews

SWITCH.

5/6/2020

8.0

It may be a film about rich people living rich people lives and doing rich people things (and, obviously, sleeping with each other's partners), but 'Non-Fiction' is a funny one with a lot of smart insights. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-non-fiction-literature-laughs-and-lewd-liasons

CinemaSerf

3/28/2022

5.0

This film starts off quite strongly with an interesting dialogue between the characters "Alain" (Guillaume Canet) and "Selena" (Juliette Binoche) on the future consumption of the written word - long/short form; digital, books, blogs etc - indeed does it have a future a all? Sadly, though, it soon descends into a rather monotonous and predictable exercise in wife swapping, middle-aged crises and never really goes anywhere new. It's wordy and rather flat for most of the last hour, and for me, the end of the rather drearily introspective story of people too obsessed with themselves didn't come a moment too soon.