FeaturePG1934·69m·5.3

Stand Up and Cheer!

ComedyMusicFamily

President Franklin Roosevelt appoints a theatrical producer as the new Secretary of Amusement in order to cheer up an American public still suffering through the Depression. The new secretary soon runs afoul of political lobbyists out to destroy his department.

Play now

Cast

Warner Baxter

Lawrence Cromwell

Madge Evans

Mary Adams

James Dunn

Jimmy Dugan

Sylvia Froos

Sylvia Froos

John Boles

John Boles

Arthur Byron

John Harly

Shirley Temple

Shirley Dugan

Ralph Morgan

Secretary to President

Jimmy Dallas

Boy Scout

Tess Gardella

Aunt Jemima

Frank Mitchell

Senator Danforth

Jack Durant

Senator Short

Dick Foran

Nick Foran

Nigel Bruce

Eustis Dinwiddle

John 'Skins' Miller

Hill-Billy

Stepin Fetchit

Stepin Fetchit

Lew Brown

Voice of Jimmy Durante Penguin (voice, uncredited)

Lynn Bari

White House Secretary / Chorine (uncredited)

Scotty Beckett

Boy Auditioning for Miss Adams (uncredited)

Jean Allen

Dancer

Details

Status
Released
Original language
English
Languages
English
Budget
Revenue
Age rating
PG
Quality
4K UHD · HDR10 · Dolby Vision
Production
Fox Film Corporation

Crew

Director

Hamilton MacFadden

Writers

Lew Brown, Lew Brown, Will Rogers, Philip Klein

Arthur Lange

Original Music Composer

L. William O'Connell

Director of Photography

Ernest Palmer

Director of Photography

Margaret Clancey

Editor

Rita Kaufman

Costume Design

Gallery

Reviews

CinemaSerf

1/7/2024

5.0

This starts off quite promisingly, with a bumbling 'Dinwiddle" (Nigel Bruce) explaining to awaiting reporters just what his job as chief scout for Broadway impresario "Cromwell" (Warner Baxter) actually is. Then, right on cue, his boss arrives by gyro-copter on the White House lawn for a meeting at which the President offers him a $100m budget and one year as "Secretary of Amusement". His task? Cheer up the American populace after the misery of the 1920s. He quickly assembles his own cabinet - including "Mary" (Madge Evans) as his minister for children and sets about making us all smile. Sadly, Baxter and Evans - and their predictably evolving affection - feature but sparingly in what is essentially a compendium of just about every style entertainment act around at the time. An early outing for the smiling Shirley Temple is probably most notable, but even she struggles to breath much life into this almost documentary style film that could serve well as an history of what made Americans laugh in the early thirties. Some of the artistes work better than others, but a weak, occasionally politically driven, narrative and an off-form effort from what we do see of Baxter just doesn't really work. It watchable as a nostalgia exercise, but as little else I'm afraid.