FeatureR1979·97m·6.2

When a Stranger Calls

Every babysitter's nightmare becomes real...

HorrorThriller

A student babysitter has her evening disturbed when the phone rings. So begins a series of increasingly terrifying and threatening calls that lead to a shocking revelation.

Play now

Cast

Carol Kane

Jill Johnson

Charles Durning

John Clifford

Colleen Dewhurst

Tracy

Tony Beckley

Curt Duncan

Rutanya Alda

Mrs. Mandrakis

Carmen Argenziano

Dr. Mandrakis

Kirsten Larkin

Nancy

Ron O'Neal

Lt. Charlie Garber

Heetu

Houseboy

Rachel Roberts

Dr. Monk

Michael Champion

Bill

William Boyett

Sgt. Sacker (as Bill Boyett)

Joseph Reale

Bartender

Ed Wright

Retired Man

Louise Wright

Retired Woman

Carol Tillery Banks

Mrs. Garber

Dennis McMullen

Maintenance Man

Wally Taylor

Cheater

John Tobyansen

Bar Customer

Sarah Dammann

Bianca Lockart

Details

Status
Released
Original language
English
Languages
English
Budget
$1.5M
Revenue
$25.0M
Age rating
R
Quality
4K UHD · HDR10 · Dolby Vision
Production
Melvin Simon ProductionsColumbia Pictures

Crew

Director

Fred Walton

Writers

Steve Feke, Fred Walton

Sam Vitale

Editor

Dana Kaproff

Original Music Composer

Donald Peterman

Director of Photography

Elayne Barbara Ceder

Production Design

Gallery

Reviews

Wuchak

6/26/2022

6.0

**_A killer psycho escapes from the asylum and…_** “When a Stranger Calls” (1979) is low-key horror mixed with detective drama/thriller. I say “low-key” because there’s little-to-no gore, although there’s suspense, chases and flashes of violence. It’s very polished and was obviously influenced by the artistic “Halloween” (1978) except with a very human antagonist as opposed to the indestructible Michael Myers. Then there’s the big city detective element à la “Dirty Harry” (1971) and “Tightrope” (1984), but with a pot-bellied, average-guy investigator (Charles Durning). The film’s best known for its harrowing opening sequence, which was borrowed for Wes Craven’s “Scream” (1996) with Drew Barrymore taking over Carol Kane’s role. It’s a work of art with a rich, atmospheric score by Dana Kaproff. Unfortunately there’s a little too much drag time in the long mid-section, which wouldn’t work for modern viewers with ADHD. Then there’s the individual unconscious in the closet with no wounds (rolling my eyes). The movie runs 1 hour, 37 minutes, and was shot in the Los Angeles. GRADE: B-/B

Part of a collection

More from this collection

See all