Feature1945·117m·5.9

A Walk in the Sun

THEY FOUGHT BEST WHEN IT WAS HOPELESS!

War

It's 1943 and the allied landings in and around the town of Salerno,Italy are underway.A platoon from the U.S 36th Infantry Division is tasked with advancing 6 miles inland to blow a bridge before clearing a nearby farmhouse, with the hope of blocking an expected counter attack on the Division's bridgehead.

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Cast

Dana Andrews

Sgt. Bill Tyne

Richard Conte

Pvt. Rivera

George Tyne

Pvt. Jake Friedman

John Ireland

Pfc. Windy Craven

Lloyd Bridges

Sgt. Ward

Sterling Holloway

McWilliams

Norman Lloyd

Pvt. Archimbeau

Herbert Rudley

Sgt. Eddie Porter

Richard Benedict

Pvt. Tranella

Huntz Hall

Pvt. Carraway

James Cardwell

Sgt. Hoskins

George Offerman, Jr.

Pvt. Tinker

Steve Brodie

Pvt. Judson

Matt Willis

Sgt. Pete Halverson

Chris Drake

Rankin

Alvin Hammer

Johnson

Victor Cutler

Cousins

Jay Norris

James

John Kellogg

Riddle

Fred Carpenter

Details

Status
Released
Original language
English
Languages
English, Italian
Budget
$850,000
Revenue
Age rating
Quality
4K UHD · HDR10 · Dolby Vision
Production
Superior PicturesLewis Milestone Productions

Crew

Director

Lewis Milestone

Writers

Robert Rossen, Harry Brown

Sam Benson

Costume Design

Russell Harlan

Director of Photography

Freddie Rich

Original Music Composer

Duncan Mansfield

Editor

Gallery

Reviews

CinemaSerf

7/1/2022

6.0

I found this a rather dry, dreary attempt to insert us into the heart of an American brigade charged with blowing up an Italian Bridge as WWII nears it close. Dana Andrews, Richard Conte and John Ireland contribute gritty, authentic performances as their tough, sanguine squad face trials and tribulations - but there are lengthy periods of dialogue that, whilst well written, can bog the story down in a surfeit of individual personalities. Ultimately, I think it is just too close to the bone for anyone but an experienced soldier to be able to extract any value because well made, as it is, it lacks humour or pathos and conveys just too effectively the weariness of all concerned. What rescues it, to some extent, is the POV style of direction - frequently we see/hear no more than the soldiers and that does have an evocative effect during the brief, but pretty hair-raising conflict scenes.