Feature2017·113m·7.8

See You Up There

DramaCrimeWar

In November 1918, a few days before the Armistice, when Lieutenant Pradelle orders a senseless attack, he causes a useless disaster; but his outrageous act also binds the lives of two soldiers who have nothing more in common than the battlefield: Édouard saves Albert, although at a high cost. They become companions in misfortune who will attempt to survive in a changing world. Pradelle, in his own way, does the same.

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Cast

Nahuel Pérez Biscayart

Édouard Péricourt

Albert Dupontel

Albert Maillard

Laurent Lafitte

Henri Pradelle

Niels Arestrup

Marcel Péricourt

Émilie Dequenne

Madeleine Péricourt

Mélanie Thierry

Pauline

Héloïse Balster

Louise

Philippe Uchan

Labourdin

André Marcon

The Police Officer

Michel Vuillermoz

Joseph Merlin

Kyan Khojandi

Dupré

Carole Franck

Sister Hortense

Gilles Gaston-Dreyfus

The Mayor

Jacques Mateu

The Prefect

Philippe Duquesne

The Station Officer

Denis Podalydès

The Minister (voice)

Fred Epaud

The Catalog Deliverer

Axelle Simon

Mrs. Belmont

Augustin Jacob

The Parisian Surgeon

Frans Boyer

The Côte 113 Sergeant

Details

Status
Released
Original language
French
Languages
French, German
Budget
$23.0M
Revenue
$15.1M
Age rating
Quality
4K UHD · HDR10 · Dolby Vision
Production
GaumontStadenn ProdManchester FilmsFrance 2 CinémaCanal+Ciné+

Crew

Director

Albert Dupontel

Writers

Albert Dupontel, Pierre Lemaitre, Pierre Lemaitre

Mimi Lempicka

Costume Design

Christophe Julien

Original Music Composer

Christophe Pinel

Editor

Pierre Quefféléan

Production Design

Vincent Mathias

Director of Photography

Gallery

Reviews

AstroNoud

1/15/2022

8.0

An extremely stylish film showing remarkable cinematographic creativity and vision, even if the story does not truly measure up to the visuals. 8/10

Atilio Nalerio

6/13/2026

8.0

**How a Film is Made** Here is a film crafted with pure talent, overflowing creativity, an exceptional cast, and dazzling camera work. The director—who also stars in it and wrote the screenplay, adapting a novel—Albert Dupontel has the virtue of telling us, in a comedic tone (sometimes employing dark humor), the drama of the war's forgotten, the "cannon fodder" of armies who are neglected and abandoned by officers, the healthcare system, governments, and a whole network of scoundrels who profit from the postwar. Fortunately, neither the synopsis nor the trailer reveals or suggests anything about the plot, which is very, very original. I believe this film should be seen with the least possible plot information, because the novel by Pierre Lemaitre has been transferred to the screenplay with great ingenuity, and any development of the plot in a review would diminish the magic the story possesses. Let's say, broadly speaking, there is a sequential thread of characters who do not appear in vain from the beginning and who later fit into a virtuous circle, making the ending a brilliantly resolved mechanism for the film to conclude as it began. Perhaps the screenplay can be criticized for its psychologically abrupt definitions (the bad guys are extremely bad, the good guys are victims) and for its somewhat implausible coincidences, but if you engage with the mirror game the director proposes, you can likely overlook this Manichaeism and be fascinated by the offering. As a co-star, the Argentine Nahuel Pérez Bizcayart delivers a dazzling performance using only his eyes and hands, as he is almost always under some kind of mask. The special effects are frankly magnificent and serve a camera in permanent, dizzying crane shots that rise and fall to show us mass scenes (the 3 sequence shots at the beginning are anthological), allowing for a reconstruction of the era that would be impossible to achieve without using superimpositions. The cinematography and music captivate you, and as if that were not enough, it has one of the most emotional endings I will remember forever. A true feast for the senses, a work that will move your spirit and feelings, and which I warmly recommend.