Feature1976·130m·6.9

The Innocent

Visconti's Sensual Epic of a Diabolical Marriage

DramaRomance

Tullio Hermil is a chauvinist aristocrat who flaunts his mistress to his wife, but when he believes she has been unfaithful he becomes enamored of her again.

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Cast

Giancarlo Giannini

Tullio Hermil

Laura Antonelli

Giuliana Hermil

Rina Morelli

Tullio's Mother

Massimo Girotti

Count Stefano Egano

Didier Haudepin

Federico Hermil

Marie Dubois

The Princess

Roberta Paladini

Miss Elviretta

Claude Mann

The Prince

Marc Porel

Filippo d'Arborio

Jennifer O'Neill

Teresa Raffo

Philippe Hersent

Elvira Cortese

Siria Betti

Enzo Musumeci Greco

Maestro d'Armi

Alessandra Vazzoler

Marina Pierro

Maria

Vittorio Zarfati

Dr. Milani

Alessandro Consorti

Filippo Perego

Margherita Horowitz

Details

Status
Released
Original language
Italian
Languages
Italian
Budget
Revenue
$13.4M
Age rating
Quality
4K UHD · HDR10 · Dolby Vision
Production
Francoriz ProductionLes Films Jacques LeitienneImp.Ex.Ci.Rizzoli Film

Crew

Director

Luchino Visconti

Writers

Suso Cecchi d'Amico, Gabriele D'Annunzio, Luchino Visconti, Enrico Medioli

Franco Mannino

Original Music Composer

Pasqualino De Santis

Director of Photography

Ruggero Mastroianni

Editor

Piero Tosi

Costume Design

Mario Garbuglia

Production Design

Gallery

Reviews

CinemaSerf

6/3/2023

6.0

There can be no doubt that Luchino Visconti was a master at putting together a film with class, style and beauty - and this is no different. A magnificent score from Franco Mannino (with plenty of classical assistance) and some fabulous cinematography from Pasqualiono de Santis breath much life into this - but not enough to compensate for a rather flawed, empty story with three really rather underwhelming performances. Tullio Hermil is "Giancarlo" a rather shallow pig of a man, who is married to Laura Antonelli ("Giuliana") and lives in their grand country palace whilst he constantly parades his glamorous mistress Jennifer O'Neill ("Teresa") for all to see. When he begins to suspect, however, that his wife has been ploughing her own furrow, he begins to get jealous and as with so many in the situation yearns for what he can no longer have. There is a real inevitability about how it will end and although our route to this denouement is bestrewn with gorgeousness and chic, Antonelli constantly reminded me of Anne Bancroft without, regrettably, the sophistication and charm and O'Neill, though certainly beautiful was almost as shallow as her paramour.