Feature1945·88m·6.6

The House on 92nd Street

The F.B.I.'s own tense, terrific story behind the protection of the ATOMIC BOMB!

Thriller

The US Government tries to track down embedded Nazi agents in the States.

Play now

Cast

William Eythe

Bill Dietrich

Lloyd Nolan

Agent George A. Briggs

Signe Hasso

Elsa Gebhardt

Gene Lockhart

Charles Ogden Roper

Leo G. Carroll

Col. Hammersohn

Lydia St. Clair

Johanna Schmidt

William Post Jr.

Walker

Harry Bellaver

Max Cobura

Reed Hadley

Narrator (voice)

Kenneth Konopka

Saboteur

Bruno Wick

Adolf Lange

Harro Meller

Conrad Arnulf

Charles Wagenheim

Gustav Hausmann

Alfred Linder

Adolf Klein

Renee Carson

Luise Vajda

Jack McKee

Dr. Arthur C. Appleton

Rusty Lane

Admiral

Details

Status
Released
Original language
English
Languages
English
Budget
Revenue
$2.5M
Age rating
Quality
4K UHD · HDR10 · Dolby Vision
Production
20th Century Fox

Crew

Director

Henry Hathaway

Writers

John Monks Jr., Barré Lyndon, Charles G. Booth, Charles G. Booth

Harmon Jones

Editor

Norbert Brodine

Director of Photography

David Buttolph

Original Music Composer

Gallery

Reviews

CinemaSerf

7/1/2022

6.0

Charles Booth won an Oscar for his writing on this early drama-documentary depicting the hunt by the FBI for an established network of Nazi fifth columnists long since operating in the USA. It falls to agent "Bill Dietrich" (William Eythe) to infiltrate the cell and to find out who is ultimately giving the orders - the mysterious "Mr. Christopher". Reporting to "Insp, Briggs" (Lloyd Nolan) he treads a perilous path as his newfound friends doubt his backstory and suspect him of being a double-agent. I was put off by the overly earnest narrative from Reed Hadley, and the acting is all pretty lacklustre aside from Leo G. Carroll as the duplicitous "Col. Hammersohn" who is feeding the information to "Dietrich" whilst simultaneously trying to verify his identity. The ending is all too predictable and that really lets it down quite badly. For such a sophisticated network of spies to be quite so easy to identify is doubtless meant to be a testament to the skills of the wartime FBI, but as a device for a story, it lacks credibility: the fire escape, really? Henry Hathaway keeps it moving along well enough but the story leaves just too obvious a trail of breadcrumbs for it to be intriguing, or plausible.

Part of a collection

More from this collection

See all