Feature1953·82m·5.5

Man in the Attic

The Life...The Loves...The Crimes of Jack the Ripper!

ThrillerCrimeHorror

London, 1888: on the night of the third Jack the Ripper killing, soft-spoken Mr. Slade, a research pathologist, takes lodgings with the Harleys, including a gloomy attic room for "experiments." Mrs. Harley finds Slade odd and increasingly suspects the worst; her niece Lily (star of a decidedly Parisian stage revue) finds him interesting and increasingly attractive. Is Lily in danger, or are her mother's suspicions merely a red herring?

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Cast

Jack Palance

Slade

Constance Smith

Lily Bonner

Byron Palmer

Insp. Paul Warwick

Frances Bavier

Helen Harley

Rhys Williams

William Harley

Sean McClory

Constable #1

Leslie Bradley

Constable #2

Tita Phillips

Daisy (the maid)

Lester Matthews

Chief Insp. Melville

Harry Cording

Detective Sgt. Bates

Lilian Bond

Annie Rowley

Isabel Jewell

Katy

Lisa Daniels

Mary Lenihan

Rama Bai

Lelah

Details

Status
Released
Original language
English
Languages
English
Budget
Revenue
Age rating
Quality
4K UHD · HDR10 · Dolby Vision
Production
Panoramic ProductionsLeonard Goldstein

Crew

Director

Hugo Fregonese

Writers

Robert Presnell Jr., Barré Lyndon, Marie Belloc Lowndes

Hugo Friedhofer

Original Music Composer

Leo Tover

Director of Photography

Marjorie Fowler

Editor

Travilla

Costume Design

Gallery

Reviews

CinemaSerf

6/22/2022

6.0

Jack Palance is "Slade", a curiously enigmatic stranger who takes rooms in the home of the "Harley" family. It's at the height of the paranoia in Victorian London surrounding the "Jack the Ripper" killings and as our story develops, both "Mrs. Harley" (Frances Bavier) and the audience begin to suspect that our reclusive visitor may well have a secret to keep. Those suspicions only intensify when he takes a shine to her actress niece "Lily" (Constance Smith) and we really do wonder if she is soon to be toast, too! Hugo Fregonese does manage to build a little menace into this: the dark eerie settings, the foggy London scenes all add a richness to the drama. Palance, however, is as wooden as a picket fence; he brings very little to his part. Indeed, aside from an amiable few scenes from Rhys Williams as "Harley", the acting is all a bit dry and stagey and that drags the whole thing down rather. It is still quite watchable, though, but with a better actor in the lead it could have been much more intriguing and I think I preferred "The Lodger" (1944).