FeatureR1988·107m·5.7

Sunset

They broke every rule, loved every woman, took every risk and solved the most shocking murder in the history of Beverly Hills. And it's all true. Give or take a lie or two.

CrimeMysteryThrillerWestern

Tom Mix and Wyatt Earp team up to solve a murder at the Academy Awards in 1929 Hollywood.

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Cast

James Garner

Wyatt Earp

Bruce Willis

Tom Mix

Malcolm McDowell

Alfie Alperin

Mariel Hemingway

Cheryl King

Kathleen Quinlan

Nancy Shoemaker

Jennifer Edwards

Victoria Alperin

Patricia Hodge

Christina Alperin

Richard Bradford

Captain Blackworth

M. Emmet Walsh

Chief Marvin Dibner

Joe Dallesandro

Dutch Kieffer

Andreas Katsulas

Arthur

Dann Florek

Marty Goldberg

Bill Marcus

Hal Flynn

Michael C. Gwynne

Mooch

Dermot Mulroney

Michael Alperin

Miranda Garrison

Spanish Dancer

Liz Torres

Rosa

Castulo Guerra

Pancho (as Cástulo Guerra)

Dakin Matthews

William Singer

Vernon Wells

Australian Houseman

Details

Status
Released
Original language
English
Languages
English, Spanish
Budget
$16.0M
Revenue
$4.6M
Age rating
R
Quality
4K UHD · HDR10 · Dolby Vision
Production
ML Delphi Premier ProductionsCecchi Gori Group Tiger CinematograficaHudson Hawk Films Ltd.TriStar Pictures

Crew

Director

Blake Edwards

Writers

Rod Amateau, Blake Edwards

Henry Mancini

Original Music Composer

Robert Pergament

Editor

Rodger Maus

Production Design

Patricia Norris

Costume Design

Gallery

Reviews

DrewBlack

2/13/2021

9.0

This is one of those cases of a movie that should have worked way better than it did. Just the very idea of watching Earp and Mix solving some murder mystery in Holywood sounds incredible and fun to watch. However, Edwards' screenplay never truly finds its identity, floating between Neo-Noir, Western and Comedy. Maybe paired in Noir-Western or Comedy-Western it would've worked better: it just didn't know wheter to take itself seriously or not. That is, however, the only real problem with it. The production and time setting is awesome, with a shoutout to the costume design. Mix's especially. The colors are a sight to see, creating a warm-hot feel to the movie, reminiscent of the Western, but in a Noir setting. Mancini's soundtrack is one of the best I've ever heard. Perhaps as a consequence of the film's lack of true identity, Mancini went every which way with it. His "Sunday west" bits combined with more somber and serious tracks - reminiscent of his work on Touch of Evil (1958) - just complete each other so well. Willis is in a point in his career that is intersting to watch. Even before his greatest hit (and masterwork) Die Hard (1988), in which he hadn't found his persona yet. Still, he looks and sounds much like the star he would become months later, with a touch of Mix-cowboy in. He is a very "light" presence on-screen, and in the good way. McDowell is always a convincing actor, and his "Happy Hobo" Alfie Alperin is quite fun to watch - especially given the parallels to another Happy Hobo, Chaplin's The Tramp - but he isn't given a lot of screen time, and from the very beginning, it's quite clear that he is the villain. But the highlight of the film is the veteran James Garner. His incarnation of the legendary frontier lawman Wyatt Earp is (albeit anachronistic) one of the best. In my opinion, only second to Kurt Russell's in Tombstone (1993). That "hawk-eyed" archetype that Earp basically defines in pop-culture was very well-captured by Garner - even out of his "natural habitat" of the west. Sunset is a very fun, lighthearted buddy movie. It is a great movie that should have been an all time classic, yet it somehow feels right. It's a one-of-a-kind curio piece. And my heart says it deseves more recognition. Give or take a star or two.