Feature1933·78m·5.9

Christopher Strong

Higher and higher! Faster and faster! She gave herself to the great god Speed, and tried to run away from the fires within her!

DramaRomance

A romance develops between a happily married middle-aged British politician and an adventurous young aviatrix.

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Cast

Katharine Hepburn

Lady Cynthia Darrington

Colin Clive

Sir Christopher Strong

Billie Burke

Lady Elaine Strong

Helen Chandler

Monica Strong

Ralph Forbes

Harry Rawlinson

Irene Browne

Carrie Valentine

Jack La Rue

Carlo

Desmond Roberts

Bryce Mercer

Agostino Borgato

Fortune Teller (uncredited)

Margaret Lindsay

Autograph Seeker at Party (uncredited)

Paul Ralli

Tango Dancer (uncredited)

Donald Stuart

Joseph Drummond (uncredited)

Gwendolyn Logan

Bradford (uncredited)

Details

Status
Released
Original language
English
Languages
English, German, Japanese
Budget
Revenue
Age rating
Quality
4K UHD · HDR10 · Dolby Vision
Production
RKO Radio Pictures

Crew

Director

Dorothy Arzner

Writers

Gilbert Frankau, Zoë Akins

Bert Glennon

Director of Photography

Max Steiner

Original Music Composer

Howard Greer

Costume Design

Walter Plunkett

Costume Design

Arthur Roberts

Editor

Gallery

Reviews

CinemaSerf

4/4/2024

6.0

The eponymous and successful politician (Colin Clive) is happily married to "Elaine" (Billie Burke) and both are trying to rein in their increasingly wayward daughter "Monica" (Helen Chandler) who is spending way too much time with the married "Harry" (Ralph Forbes). They've all read of the derring-do of aeronaut "Lady Cynthia" (Katharine Hepburn) and a chance meeting as a result of a silly bet introduces her to the erstwhile unimpeachable and loving father. Initially, they all take an hand in trying to keep "Monica" on the rails, but we can see the frequency of their associations is leading to a temptation that could have disastrous consequences for just about everyone. I thought the subject matter of this film quite racy for 1933 and the workmanlike Hepburn successfully exhibits a tom-boyish persona then seems equally at home in the shining "moth" dress that shows she can turn her sartorial hand as required to societal needs and expectations. The production is all a bit static, though, and the episodic nature of the storytelling does rather lead us by the nose. I couldn't decide if the denouement was a cop out or a clever and fitting one but that's really the only thing to ponder in this otherwise watchable but forgettable Dorothy Arzner drama.