Feature1947·82m·6.5

Hue and Cry

The Film that Begs to Differ

ComedyCrimeAdventure

A gang of street boys foil a master crook who sends commands for robberies by cunningly altering a comic strip's wording each week, unknown to writer and printer. The first of the Ealing comedies.

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Cast

Alastair Sim

Felix H. Wilkinson

Jack Warner

Nightingale

Valerie White

Rhona

Jack Lambert

Ford

Harry Fowler

Joe Kirby

Douglas Barr

Alec

Stanley Escane

Roy

Ian Dawson

Norman

Gerald Fox

Dicky

David Simpson

Arthur

Albert Hughes

Wally

John Hudson

Stan

David Knox

Dusty

Jeffrey Sirett

Bill

James Crabbe

Terry

Joan Dowling

Clarry

Frederick Piper

Mr. Kirby

Vida Hope

Mrs. Kirby

Heather Delaine

Dorrie Kirby

Paul Demel

Jago

Details

Status
Released
Original language
English
Languages
English
Budget
Revenue
Age rating
Quality
4K UHD · HDR10 · Dolby Vision
Production
Ealing Studios

Crew

Director

Charles Crichton

Writers

T. E. B. Clarke

Douglas Slocombe

Director of Photography

Charles Hasse

Editor

Gallery

Reviews

CinemaSerf

11/10/2022

7.0

This is one of the lesser known Ealing comedies and it has something of the Children's Film Foundation output to it too, as the youngsters cotton on to a dastardly plan to use the narrative bubbles in a children's comic to convey messages that unwittingly to the publisher and animator facilitate daring robberies. It's only when the young "Joe" (Harry Fowler) and his mates start to put two and two together, and with the help of "Felix" (Alastair Sim) they start to hone in on the kingpin - safe in the knowledge that he is close amongst them and will not go quietly if he is discovered. The humour is dark, subtle and personable, as are the efforts from Jack Warner ("Nightingale") and it is set in a wonderfully gritty post war, bombed-out London full of craters and ruins in which to set the increasingly enjoyable scenario. The youngsters gel well together too, a team effort with the odd red herring and plenty of fisticuffs that compensate for the nor terribly high production standards (especially the tinny audio). Remembering the environment in which it was made, it's a remarkably enjoyable and light-hearted indication that war was over and that the sunlit uplands were again on the horizon. Good fun.