Feature1952·87m·6.9

Deadline - U.S.A.

20th Century-Fox savagely turns the spotlight of truth on revenge killings that shocked a nation !

CrimeDrama

New York City newspaper The Day is in trouble. Even though editor Ed Hutcheson has worked hard running the paper, its circulation has been steadily declining. Now the publisher's widow wants to sell the paper, which will most likely mean its end. Hutcheson's only hope is to finish his exposé on a dangerous gangster before the sale is finalized.

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Cast

Humphrey Bogart

Ed Hutcheson

Ethel Barrymore

Margaret Garrison

Kim Hunter

Nora Hutcheson

Ed Begley

Frank Allen

Warren Stevens

George Burrows

Paul Stewart

Harry Thompson

Martin Gabel

Tomas Rienzi

Joe De Santis

Herman Schmidt

Joyce Mackenzie

Katherine Garrison Geary

Audrey Christie

Mrs. Willebrandt

Fay Baker

Alice Garrison Courtney

Jim Backus

Jim Cleary

Parley Baer

Headwaiter (uncredited)

Bill Baldwin

Man Asking for Ed Hutcheson (uncredited)

Willis Bouchey

Henry (uncredited)

Joseph Crehan

The Standard City Editor (uncredited)

Lawrence Dobkin

Larry Hansen (uncredited)

John Doucette

Hal (uncredited)

Bess Flowers

Restaurant Patron (uncredited)

Raymond Greenleaf

Lawrence White (uncredited)

Details

Status
Released
Original language
English
Languages
English, Spanish
Budget
Revenue
$2.3M
Age rating
Quality
4K UHD · HDR10 · Dolby Vision
Production
20th Century Fox

Crew

Director

Richard Brooks

Writers

Richard Brooks

Cyril J. Mockridge

Original Music Composer

William B. Murphy

Editor

Milton Krasner

Director of Photography

Gallery

Reviews

CinemaSerf

9/9/2022

7.0

Humphrey Bogart ("Ed") is superb in this tale of a newspaper editor whose paper is being sold by it's owners. With all looking for their next job, he must try to galvanise his team into an investigation of local mafia kingpin "Rienzi" after one of their number is killed. Occasionally cluttered by a rather clumsy romance (his relationship with soon to be remarried ex-wife "Nora" (Kim Hunter)), this film really focusses on just how newspapers were run in post war USA: gritty, determined and authentic journalism competing with organised crime, personal and family interests (some benign, some less so), corruption and physical danger - all to deliver the daily news to the breakfast tables of millions of New Yorkers. Ethel Barrymore adds some class as the newspaper's proprietress who begins to doubt the wisdom of the sale as she is also drawn into the almost visceral nature of this investigation into a man who uses threats and lawyers to remain one step ahead of the authorities. It packs quite a punch for almost all of it's 90 minutes, and really does show off the star and the writing at their best.