Feature1936·100m·6.5

Things to Come

The future is here!

DramaScience Fiction

The story of a century: a decades-long second World War leaves plague and anarchy, then a rational state rebuilds civilization and attempts space travel.

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Cast

Raymond Massey

John Cabal / Oswald Cabal

Edward Chapman

Pippa Passworthy / Raymond Passworthy

Ralph Richardson

The Boss

Margaretta Scott

Roxana / Rowena

Cedric Hardwicke

Theotocopulos

Maurice Braddell

Dr. Harding

Sophie Stewart

Mrs. Cabal

Derrick De Marney

Richard Gordon

Ann Todd

Mary Gordon

Pearl Argyle

Catherine Cabal

Kenneth Villiers

Maurice Passworthy

Ivan Brandt

Morden Mitani

Anne McLaren

The Child

Patricia Hilliard

Janet Gordon

Charles Carson

Great Grandfather

Patrick Barr

World Transport Official (uncredited)

Noel Brophy

Irishman (uncredited)

John Clements

The Airman (uncredited)

Anthony Holles

Simon Burton (uncredited)

Allan Jeayes

Mr. Cabal (uncredited)

Details

Status
Released
Original language
English
Languages
English
Budget
Revenue
Age rating
Quality
4K UHD · HDR10 · Dolby Vision
Production
London Films ProductionsUnited Artists

Crew

Director

William Cameron Menzies

Writers

H. G. Wells, H. G. Wells

Arthur Bliss

Original Music Composer

Georges Périnal

Director of Photography

Charles Crichton

Editor

Francis D. Lyon

Editor

John Armstrong

Costume Design

René Hubert

Costume Design

Gallery

Reviews

CinemaSerf

6/19/2022

6.0

This is a rather fanciful adaptation of the HG Wells tale. Mankind is all but obliterated by war; reduced to tribal existences - under the overly theatrical leadership of Ralph Richardson and Margaretta Scott - fighting plague, tyranny and the elements. Then they encounter Daniel Massey ("John Cabal") who helps reconcile and rebuild society to an almost Utopian level. It manages to intertwine megalomania with human aspiration; an overpoweringly rousing score and some truly Shakesperian style soliloquy. It comes to force a future upon us that is eerily portentous of an Orwellian style dictatorship; of interstellar exploration to spread our plague of self-destructive ambition to other worlds - and all, broadly speaking with the consent of the masses. Sadly, i saw a colourised version which robbed this film of almost every element of potency; indeed it rendered it little better than a very poor cartoon. It's still just about worth watching; but Massey is no Olivier and I found it all rather preposterous.