Feature1966·135m·7.1

The Chase

A breathless explosive story of today!

CrimeDrama

The escape of Bubber Reeves from prison affects the inhabitants of a small Southern town.

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Cast

Marlon Brando

Sheriff Calder

Jane Fonda

Anna Reeves

Robert Redford

Charlie 'Bubber' Reeves

E.G. Marshall

Val Rogers

Angie Dickinson

Ruby Calder

Janice Rule

Emily Stewart

Miriam Hopkins

Mrs. Reeves

Martha Hyer

Mary Fuller

Robert Duvall

Edwin Stewart

Richard Bradford

Damon Fuller

Henry Hull

Briggs

Diana Hyland

Elizabeth Rogers

James Fox

Jason 'Jake' Rogers

Katherine Walsh

Verna Dee

Jocelyn Brando

Mrs. Briggs

Lori Martin

Cutie Bess

Marc Seaton

Paul

Paul Williams

Seymour

Clifton James

Lem Brewster

Malcolm Atterbury

Mr. Reeves

Details

Status
Released
Original language
English
Languages
Spanish, English
Budget
Revenue
$2.3M
Age rating
Quality
4K UHD · HDR10 · Dolby Vision
Production
Horizon Pictures

Crew

Director

Arthur Penn

Writers

Horton Foote, Horton Foote, Lillian Hellman

Gene Milford

Editor

Richard Day

Production Design

Donfeld

Costume Design

John Barry

Original Music Composer

Joseph LaShelle

Director of Photography

Gallery

Reviews

Wuchak

8/16/2025

6.0

**_A Southern town given to drunken revelry & vigilantism with Brando as the voice of reason_** Bubber Reeves (Robert Redford) escapes from prison and this affects the populace of an East Texas town. Marlon plays the sheriff who tries to track down Bubber's whereabouts while Angie Dickinson is on hand as his supportive wife. Jane Fonda plays Bubber's ex-girlfriend and James Fox her secret beau. Janice Rule appears as a drunken woman of dubious morality, Robert Duvall her hubby, and Richard Bradford one of the men with whom she cheats. "The Chase" is mid-60's Southern Gothic in the manner of "The Fugitive Kind" (1960), "In the Heat of the Night" (1967), "Cape Fear" (1962), "This Property Is Condemned" (1966) and "The Long, Hot Summer" (1958). It's arguably on par with most of these, but is significantly superior to the last one. The first act is weak as it establishes the characters, but the story becomes captivating starting with the second act and the surreal drunken party at the mogul's mansion (and the teens in a neighboring abode). Imagine if "Village of the Giants" (1965) was shot as a serious melodrama, minus the giants, and that's the general vibe. The movie addresses elements of hedonism, racism, sexual revolution (with several of the players involved in affairs), political corruption (the sheriff is wrongly thought to be bought by the town mogul), and vigilante non-justice. The most iconic scene is when the sole voice of reason is viciously beaten by the mogul (E.G. Bradford), along with his buds. Marlon later cited this as an example of his renowned Method approach. The wild last act in an auto graveyard is also notable. Despite the picture's many strengths, it's too meandering and unfocused to be wholly effective as Arthur Penn's great "Bonnie and Clyde" (1967). But you can't beat the cast, especially Brando. Look for a young Paul Williams as one of the partying teens. It runs 2 hours, 13 minutes, and was shot in California (Calabasas, Chico, Agoura & Burbank studios). GRADE: B/B- (6.5/10)