Feature1984·95m·5.1

Samson and Delilah

TV MovieActionAdventureFantasy

A tale of passion and betrayal in which Samson, a judge of Israel who fled with his tribe during the Great Exodus from Egypt, uses his herculean strength in the fight against the Philistine oppressors. He is seduced by Delilah, a Philistine courtesan, who uses her cunning to discover the secret of her lover's great power and then betrays him.

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Cast

Antony Hamilton

Samson

Belinda Bauer

Delilah

Max von Sydow

Sidka

Daniel Stern

Micah

Clive Revill

Raul

Jennifer Holmes

Varinia

David Eisner

Arin

David Byrd

Elon

José Ferrer

The High Priest

Maria Schell

Deborah

Victor Mature

Manoah

Stephen Macht

Maluck

Angélica Aragón

Niji

José René Ruiz

The Temple Man

Brandon Scott

The Magician

Guy De Saint Cyr

Soldier

Martin LaSalle

Governor of Ekron

Eduardo Noriega

Governor of Ashdod

Philip Guilmant

Governor of Gath

Salvador Godínez

Tribe Elder

Details

Status
Released
Original language
English
Languages
French, English
Budget
Revenue
Age rating
Quality
4K UHD · HDR10 · Dolby Vision
Production
Catalina Productions

Crew

Director

Lee Philips

Writers

Eric Linklater, John Gay

George Jay Nicholson

Editor

Madeline Ann Graneto

Costume Design

Gerry Fisher

Director of Photography

Ed Wittstein

Production Design

Maurice Jarre

Original Music Composer

Gallery

Reviews

CinemaSerf

11/9/2025

5.0

Thirty five years after he took the top billing, Victor Mature briefly returns as his own dad (Manoah) in this rehash of the biblical story of the fabulously strong man (Antony Hamilton) who has to help get his tribe safely from Egypt and then who becomes emotionally ensnared by the manipulatively glamorous Delilah (Belinda Bauer). She is a Philistine who is intent on helping her governor Sidka (an extremely hammy Max von Sydow) and the malevolent high priest Dagon (Jose Ferrer) to either harness or destroy his lion-killing might. What now ensues takes quite a bit of cinematic licence with the story from the book of Judges but still manages to present a decently crafted iteration with some reasonable attention to the look and the detail of the feature. It’s a bit wordy and despite the names on the poster it doesn’t have any of the charisma from the de Mille version from 1949 - indeed it is quite difficult to figure out who this was remade for at all. The last ten minutes, or so, enliven it a little but for me it really only served to remind me of just what Hollywood could do at it’s Technicolor best.