Feature1925·151m·7.6

The Big Parade

The epic of the American doughboy!

RomanceWarDrama

The story of an idle rich boy who joins the US Army's Rainbow Division and is sent to France to fight in World War I, becomes friends with two working class men, experiences the horrors of trench warfare, and finds love with a French girl.

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Cast

John Gilbert

James 'Jim' Apperson

Renée Adorée

Melisande

Hobart Bosworth

Mr. Apperson

Claire McDowell

Mrs. Apperson

Claire Adams

Justyn Reed

Robert Ober

Harry Apperson

Tom O'Brien

Michael Olysius 'Bull' O'Hara

Karl Dane

'Slim' Jensen

Rosita Marstini

Melisande's Mother

Julanne Johnston

Justine Devereux (uncredited)

Kathleen Key

Miss Apperson (uncredited)

Carl Roup

Doughboy (uncredited)

Arthur H. Allen

Dying German

George Beranger

Patriotic Letter Reader

Harry Crocker

Doughboy

Dan Mason

Second Patriotic Letter Reader

Carl Voss

Officer

Details

Status
Released
Original language
English
Languages
Budget
$382,000
Revenue
$20.0M
Age rating
Quality
4K UHD · HDR10 · Dolby Vision
Production
Metro-Goldwyn-Mayer

Crew

Director

King Vidor

Writers

Harry Behn, Joseph Farnham

Charles Van Enger

Director of Photography

John Arnold

Director of Photography

Hugh Wynn

Editor

Gallery

Reviews

talisencrw

8/4/2016

10.0

Recently in approaching the milestone of seeing my 5,000th film (at least by my IMDb list of my shoddy recollections), I wanted to make it a very special film, so it was between the blus of this and 'The Treasure of the Sierra Madre'. That was a very special work too, but in retrospect, I felt this was an even finer film. I haven't seen much of Vidor's work (only 'The Champ', 'Hallelujah' and 'The Fountainhead'--all of which I greatly admired), but I knew he was a great American director to be reckoned with, for any cinephile worth his salt. Plus, I had always been intrigued by the then-sex symbol status of ill-starred John Gilbert (especially since my favourite actress ever, Great Garbo, was so enraptured by him). This was remarkable. I was astounded by how Vidor (who said beforehand he wanted to finally make a film that wouldn't simply be gone from theatres in a week, but would play on for years, and that he would put forth a much greater effort if that could be the case, especially if either about steel, wheat or war) mixed elements, emotions and atmosphere so expertly. Even though it was a first-watch, since it was a silent film I thought it would be all right to throw on the Jeffrey Vance commentary, which contained four interview snippets from Vidor, late in his life in the 1970's. It was a wonderful cinephilic experience, and the book that enclosed the blu ray release was even more telling, with tons of pictures and essays about the American landmark of silent cinema.