FeaturePG1979·109m·5.6

Hanover Street

The fateful entanglements of two men in love with the same woman.

DramaRomanceWarActionAdventure

Margaret is a nurse in England during WW2, and married to a secret agent. Things get complicated when she falls for David, an American pilot.

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Cast

Harrison Ford

David Halloran

Lesley-Anne Down

Margaret Sellinger

Christopher Plummer

Paul Sellinger

Alec McCowen

Maj. Trumbo

Max Wall

Harry Pike

Patsy Kensit

Sarah Sellinger

Shane Rimmer

Col. Ronald Bart

Sherrie Hewson

Phyllis

William Hootkins

Beef

John Ratzenberger

Sgt. John Lucas

Cindy O'Callaghan

Paula

Di Trevis

Elizabeth

Richard Masur

2nd Lieut. Jerry Cimino

Jay Benedict

Cpl. Daniel Giler

Keith Buckley

Lieutenant Wells

Eric Stine

Farrell

Hugh Fraser

Capt. Harold Lester

Suzanne Bertish

The French Girl

Eugene Lipinski

1st German Clerk

Gary Waldhorn

2nd German Clerk

Details

Status
Released
Original language
English
Languages
German, English
Budget
Revenue
$3.0M
Age rating
PG
Quality
4K UHD · HDR10 · Dolby Vision
Production
Hanover StreetColumbia Pictures

Crew

Director

Peter Hyams

Writers

Peter Hyams

John Barry

Original Music Composer

David Watkin

Director of Photography

Joan Bridge

Costume Design

James Mitchell

Editor

Philip Harrison

Production Design

Gallery

Reviews

CinemaSerf

6/5/2023

6.0

First things first, this is a romance with some Nazis - it is pretty devoid of action and although the settings and uniforms might indicate otherwise, it is certainly not a film for those who like much going on. Basically, the smouldering Leslie-Anne Down is "Margaret" who is so loyal to her undercover agent husband that she falls hook line and sinker for visiting American pilot "Halloran" (Harrison Ford). She doesn't mention her husband to her new beau, but serendipity has taken a dim view of her antics so when "Halloran" is charged with ferrying a British agent into France, and their plane gets shot down - he discovers that his passenger "Sellinger" (Christopher Plummer) and he have quite a few more things in common than just a desire to escape... I always thought Downs was a pretty one-dimensional actress who looked good but acted as if she, well, knew she looked good. Ford and Plaummer don't really gel - not that either are on particularly good form here, either - and though there is a peppering of familiar faces throughout, this film was just made 20 years too late, the writing is pretty banal and on the whole, it is completely forgettable.