Feature1934·75m·7.3

Two Alone

She'll win you again when you see her in this drama of youthful fire that fought and surrendered to irresistible nature.

Drama

Mazie, a poor orphan girl, is mistreated by cruel farmer Slag and his wife for whom she works. Mazie, who is growing into a woman, does not like they way Slag has been looking at her lately.

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Cast

Jean Parker

Mazie

Tom Brown

Adam

Zasu Pitts

Esthey Roberts

Arthur Byron

Slag

Beulah Bondi

Mrs. Slag

Nydia Westman

Corie

Willard Robertson

George Marshall

Charley Grapewin

Sandy Roberts

Emerson Treacy

Milt Pollard

Paul Nicholson

The Sheriff

Wade Boteler

2nd Deputy Sheriff (uncredited)

Jim Farley

1st Deputy Sheriff (uncredited)

Edith Fellows

Rogers' Daughter (uncredited)

Earle Hodgins

Carnival Barker (uncredited)

Matt McHugh

Counter Man (uncredited)

Russ Powell

Blacksmith (uncredited)

Zeffie Tilbury

Rogers' Neighbor (uncredited)

Details

Status
Released
Original language
English
Languages
English
Budget
Revenue
Age rating
Quality
4K UHD · HDR10 · Dolby Vision
Production
RKO Radio Pictures

Crew

Director

Elliott Nugent

Writers

Dan Totheroh, Joseph Moncure March, Josephine Lovett

Arthur Roberts

Editor

Lucien N. Andriot

Director of Photography

Gallery

Reviews

Frank F

6/21/2018

8.0

An excellent pre-code, depression-era film about the hardships and cruelty experienced by mistreated youth in a back-wood, uneducated, poor farming community. Jean Parker delivers an excellent performance depicting Mazie, an orphan who is under the foster care of cruel farmer Slag and his wife. Slag is beginning to look at his young, but well-developed ward Mazie in a not-very-fatherly way. Mazie's only friend, kind farm hand George Marshall, quits because of Slag's cruelty. George asks Mazie about herself and he promises to contact Mazie once he completes some research. Adam, a runnaway from a boys reform school, shows up one day while Mazie is eating alone by the stream. Despite being a bit scary acting, he only pesters her for food and keeps telling her to stay away. A friendship is developed between the two when Slag realizes that he can use Adam for free labor. All of the performances are spot-on. Arthur Byron makes an excellent heartless, despicable Slag. Tom Brown is a good boy at heart, who's only real crime was defending his mother from the beatings from his father.