Feature1936·80m·6.7

Private Number

TOO MUCH MONEY TO TRUST IN LOVE!

DramaRomance

Ellen Neal, a young and inexperienced maid, becomes romantically involved with her employers son which causes various complications. The head butler also has an infatuation for the young girl but his intentions are not that good.

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Cast

Loretta Young

Ellen Neal

Robert Taylor

Richard Winfield

Basil Rathbone

Thomas Wroxton

Patsy Kelly

Gracie

Paul Harvey

Perry Winfield

Jane Darwell

Mrs. Frisby

John Miljan

Sam Stapp

Marjorie Gateson

Mrs. Maggie Winfield

Joe E. Lewis

Smiley Watson

Paul Stanton

Rawlings

Monroe Owsley

James "Jimmy" Coakley

Billy Bevan

Frederick

Frank Dawson

Graham

George Irving

Judge

May Beatty

Grandma Gammon

Alexander Pollard

Footman

Jack Pennick

Gus Rilovitch

John Van Eyck

John

Kane Richmond

Joe

Lilyan Irene

Hazel

Details

Status
Released
Original language
English
Languages
English
Budget
Revenue
Age rating
Quality
4K UHD · HDR10 · Dolby Vision
Production
20th Century Fox

Crew

Director

Roy Del Ruth

Writers

William M. Conselman, Gene Markey, Cleves Kinkead, Cleves Kinkead

Gwen Wakeling

Costume Design

Allen McNeil

Editor

J. Peverell Marley

Director of Photography

Cyril J. Mockridge

Original Music Composer

Gallery

Reviews

CinemaSerf

1/4/2025

7.0

Down on her luck "Ellen" (Loretta Young) arrives at "Winfield Manor" seeking a position. She's completely unqualified, but butler "Wroxton" (Basil Rathbone) takes a bit of a shine to her and so she gets a job anyway. Indeed, fairly swiftly she is the personal maid to the lady of the house - but it's the son "Richard" (Robert Taylor) who really catches her eye, and she his. What can they do though - she's a mere servant and he is from the bluest of New York blood? Well they pretend it's Elizabethan times and marry in secret, but that's not their biggest one of those and when the intensely jealous "Wroxton"" finds out, he proceeds to make things distinctly awkward for the couple and for his family. With the odds stacked against them, and misunderstandings galore going on, it's going to be tough for them to remember that they were/are/might still be in love! It's all a bit predicable as far as the story goes, but there's quite an effective on-screen malevolence from an on-form Rathbone, there's also an amiable chemistry between Young and a Taylor who looks much younger than his actual 25 years, and we've even a tiny slice of courtroom duplicity at the end to round things off. Never mind a woman scorned, worry about the butler...!