FeaturePG-132013·92m·7.5

Still Life

A rare thing

Drama

A council case worker looks for the relatives of those found dead and alone.

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Cast

Eddie Marsan

John May

Joanne Froggatt

Kelly Stoke

Karen Drury

Mary

Andrew Buchan

Mr Pratchett

Neil D'Souza

Shakthi

Tim Potter

Homeless Man

Michael Elkin

Caretaker

Paul Anderson

Homeless Man

Bronson Webb

Morgue Attendant

Lee Nicholas Harris

Police Chief Superintendant

Colin Hoult

Cemetery Manager

Wayne Foskett

Garry

Hebe Beardsall

Lucy

Deborah Frances-White

Miss Pilger

Details

Status
Released
Original language
English
Languages
English
Budget
Revenue
Age rating
PG-13
Quality
4K UHD · HDR10 · Dolby Vision
Production
Redwave FilmsEmbargo FilmsRAIIstituto Luce CinecittàBeta FilmRAI Cinema

Crew

Director

Uberto Pasolini

Writers

Uberto Pasolini

Rachel Portman

Original Music Composer

Gavin Buckley

Editor

Pam Downe

Costume Design

Tracy Granger

Editor

Lisa Hall

Production Design

Stefano Falivene

Director of Photography

Gallery

Reviews

CinemaSerf

1/30/2025

7.0

Eddie Marsan is on good form in this sensitive drama about council worker "May". He is tasked with dealing with the affairs of those people who die without a family. He's a meticulous chap, fastidious even, and he takes great care to investigate as thoroughly as he can trying to find someone to take possession of their heirlooms and to attend the rudimentary cremation that the local borough provides. He is midway through the case of "Billy Stoke" when he is informed that he is to be made redundant. Instead of just packing up, though, he asks for some extra time to try and piece together the jigsaw puzzle left by this man - and that sees him travel to meet "Kelly" (Joanne Froggatt) - his long estranged daughter. As with so many of the stories contained here, we hear a tale of neglect and abuse followed by a long period of non-contact, and Marsan plays his part delicately as he allows his character to provide a poignant conduit for relatives to think on their best and final course of action at a time when maybe grudges are best forgotten. There's an honesty to this because they aren't always - there are no rose-tinted windows here, especially at the end (which I have to say, the irony of which I simply didn't like). This film serves to put many things into perspective and might be something that could give folks whose family's are no longer part of their lives a chance to consider getting letting bygones be bygones. There is something poignant about the only mourner at a funeral being an official doing a day's work! It's an interesting investment vehicle for RAI too, garnering a David nomination but nothing at all from BAFTA.