FeaturePG1939·56m·5.8

Wyoming Outlaw

$10,000 REWARD! For the capture of Will Parker, the most desperate killer that ever rode the Western plains.

Western

Will Parker has been destroyed by a local politician and now must steal to feed his family. He steals a steer from the Three Mesquiteers.

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Cast

John Wayne

Stony Brooke

Ray Corrigan

Tucson Smith

Raymond Hatton

Rusty Joslin

Don 'Red' Barry

Will Parker

Pamela Blake

Irene Parker

LeRoy Mason

E. B. 'Joe' Balsinger

Charles Middleton

Luke Parker

Katherine Kenworthy

Mrs. Parker

Elmo Lincoln

U.S. Marshal Gregg

Jack Ingram

Sheriff Nolan

Jack Kenney

Radioman Doyle

John Beach

Henchman

Bob Burns

Rancher at Hearing

Budd Buster

Bank Teller

Allan Cavan

Senator Roberts

Tommy Coats

Cowhand Shorty

George DeNormand

Henchman

Curley Dresden

Cowhand Curley

John Hiestand

Broadcaster

Jack Kirk

Posse Rider

Details

Status
Released
Original language
English
Languages
English
Budget
Revenue
Age rating
PG
Quality
4K UHD · HDR10 · Dolby Vision
Production
Republic Pictures

Crew

Director

George Sherman

Writers

Jack Natteford, Betty Burbridge, Jack Natteford, William Colt MacDonald

Tony Martinelli

Editor

Reggie Lanning

Director of Photography

Gallery

Reviews

CinemaSerf

6/22/2022

6.0

Interestingly for this routine B-feature, the usual "Three Mesquiteer" characters are not really at the centre of the plot. The story belongs more to 'Red' Barry ("Parker") whose father has been deceived by a crooked politician and so his son ends up having to steal to feed himself and his family. It's when he pinches a cow from Messrs. Wayne, Corrigan and Hatton that the story starts to hot up a bit and, of course, they try to redress the balance for him and his sister "Irene" (Pamela Blake). It's takes a while to get going, this one - but once the scenario has been defined, it moves along nicely with a little more chemistry between Wayne and his female co-star than we are used to. "Ming" himself, Charles Middleton appears sparingly as the hard-done-by father, and LeRoy Mason is adequate - though nothing more - as "Balsinger" - the devious villain of the piece. The film aims squarely at some of the "New Deal" policies of post WWI US governments where opportunists frequently ended up with the whip hand over those who had worked hard during the war feeding the troops, but whose services were now surplus to requirements and they were left very vulnerable to pretty ruthless exploitation.

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