Feature1967·91m·7.2

Branded to Kill

ThrillerCrimeAction

After botching his latest assignment, a third-ranked Japanese hit man becomes the target of another assassin.

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Cast

Joe Shishido

Gorô Hanada

Kōji Nanbara

No. 1

Isao Tamagawa

Michihiko Yabuhara

Annu Mari

Misako Nakajô

Mariko Ogawa

Mami Hanada

Hiroshi Minami

Gihei Kasuga

Hiroshi Chō

Bartender

Atsushi Yamatoya

No. 4 Killer Ko

Takashi Nomura

Tokuhei Miyahara

Hiroshi Midorikawa

Optometrist

Kosuke Hisamatsu

Jeweler

Iwae Arai

Yū Izumi

Kyôji Mizuki

Kōji Seyama

Masaaki Honme

Mitsuru Sawa

Shiro Tonami

Akira Takahashi

Details

Status
Released
Original language
Japanese
Languages
Japanese
Budget
Revenue
Age rating
Quality
4K UHD · HDR10 · Dolby Vision
Production
Nikkatsu Corporation

Crew

Director

Seijun Suzuki

Writers

Seijun Suzuki, Seiichirō Yamaguchi, Chūsei Sone, Yasuaki Hangai

Naozumi Yamamoto

Original Music Composer

Kazue Nagatsuka

Director of Photography

Akira Suzuki

Editor

Mutsuo Tanji

Editor

Gallery

Reviews

talisencrw

3/7/2016

9.0

If someone both hated black-and-white films and movies with subtitles, I would encourage them to see this corker. It has 'hilarious masterpiece' written all over it. Suzuki's gangster movies are a cinephile's delight, to be sure--and this is one of his very best. I cannot recommend it highly enough. If you need a really good laugh, love cinema and haven't seen it yet, I would recommend you RUN to your nearest film store and take a chance on it. It'll be the best 30 bucks you've spent in a very long time.

deepkino

5/9/2026

7.0

Branded to Kill is a supposedly hard-boiled action film that gradually turns into an absurd dark comedy, drifting through disconnected scenes and bizarre imagery. Revolving around a chubby-cheeked assassin obsessed with the smell of boiling rice, the film constantly undermines the conventions of gangster cinema with surreal humor and chaotic energy. Seijun Suzuki transforms what could have been a routine hitman story into a fever dream filled with eccentric characters, strange erotic tension, and visual experimentation. Its fragmented narrative and rebellious style make it feel less like a crime thriller and more like a cinematic act of sabotage against traditional studio filmmaking.