Feature2013·91m·6.5

Nobody's Daughter Haewon

Drama

Facing her mother’s departure and the weight of a secret affair with her professor, college student Haewon drifts through a series of encounters and dreams, blurring the lines between her desires and reality.

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Cast

Lee Sun-kyun

Seongjun

Jung Eun-chae

Haewon

Kim Ja-ok

Jinju

Ye Ji-won

Yeonju

Kim Eui-sung

Jungwon

Yu Jun-sang

Jungsik

Ryu Deok-hwan

Dongjoo

Ki Joo-bong

Hoowon

Kim Joo-hee

Restaurant Owner

Ahn Jae-hong

Jaehong

Bae Yu-ram

Student

Shin Sun

Student

Jung Da-won

Student

Han Jae-yi

Student

Jane Birkin

Self

Details

Status
Released
Original language
Korean
Languages
Korean
Budget
Revenue
Age rating
Quality
4K UHD · HDR10 · Dolby Vision
Production
Jeonwonsa Film

Crew

Director

Hong Sang-soo

Writers

Hong Sang-soo

Hahm Sung-won

Editor

Park Hong-yeol

Director of Photography

Kim Hyung-koo

Director of Photography

Jeong Yong-jin

Original Music Composer

Son Yeon-ji

Editor

Gallery

Reviews

CinemaSerf

4/11/2024

6.0

The eponymous girl (Jung Eun-chae) is struggling to come to terms with her mother's imminent emigration to Canada. The day before her departure, the pair meet to spend the day together and when they part, the daughter starts to pine a little. She decides that she wants to meet her former (married) university professor "Seongjun" (Lee Sun-kyun) with whom she'd had clandestine affair and their meeting starts to make both realise what they had, miss and want for their respective - or maybe even conjoined - futures. It's all perfectly watchable but the story is as old as the hills, neither the acting nor the writing really set the thing alight and by midway through I wasn't quite sure whether I cared enough about either of them to worry about the morality of a relationship between a teaching professional and his impressionable student. It's a melodrama-cum-soap opera that does come, slightly, to an head when the couple disclose their former relationship to her friends and to her only other sexual partner but even then, I'm not sure how convinced I was by their responses and attitudes. It's not that I'm being prudish about their sex lives, it's just that I found neither character remotely engaging. The whole premiss might be supposed to be allegorical about the state of Korean nationhood and/or of reconciling their past and the present but it's the sheer banality of the thing that renders it impotent and any development of her troubled, self-obsessed, character is largely left on the sidelines.