Feature2025·18m·6.0

Dead on Distribution

How far would you go to promote your own film?

HorrorComedy

A B-movie filmmaker attempts to get a distribution deal for his new slasher flick, but the lead actor has some unsavory ideas about how to promote the film after its poor reception.

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Cast

Brian M. Clarke

William Flagg

Jacob Poole

Danny Felt

Kathryn Georghiou

Margaret Sickle

Gillian Shimwell

Lily the Secretary

Callum Gascoyne

Fangoria Journalist

Julia Zieba

Film Critic

Elliott Tanner

Film Critic

Tom Quinlan

Film Critic

Jessica Hall

Film Critic

Ash Arnold

Film Critic

Alice Whitehead

Set Hand

Jason Spragg

Set Hand

James Green

Set Hand

Paddy Moat

Restaurant Patron

Malcolm Richards

Restaurant Patron

Joyce Richards

Restaurant Patron

Louis Jackson

Hotel Security

Jake Melville

Teacher

Details

Status
Released
Original language
English
Languages
English
Budget
Revenue
Age rating
Quality
4K UHD · HDR10 · Dolby Vision
Production
Shot by Gretton

Crew

Director

Alasdair Gretton

Writers

Paul Richards, Alasdair Gretton, Alasdair Gretton

Alasdair Gretton

Editor

Reviews

Raymond Lesley

12/16/2025

6.0

Alasdair Gretton brings us another gory, twisted tale. _«Dead on Distribution»_ is another psychedelic trip - this time a 15 minute short set in the world of 1980s "video nasty" production. True to the genre, this is a _bona fide_ "slasher". The film begins with an 80s-style unauthorised distribution warning screen and a retro graphics title page. We see Danny Felt (Jacob Poole) trying to persuade the distributor William Flagg (Brian M. Clarke) to promote his film "Lead Rains Down at Midnight". Shot almost entirely indoors in two locations - the Grand Pavillion in Matlock Bath, where the film was premièred and, appropriately, the 80s Video Store in Alfreton - this is a fast-paced and intimate film. In keeping with the theme, we are treated to blood, ballistics and boobs. As with _«Masked Conspiracy»_, the film is full of flashing effects, distorted close-ups and jarring cutaways - the hallmarks of Gretton's "experimental" editing style. This is a slicker, tighter film and no less shocking. There is a lot packed into a short space of time and it's quite difficult to watch. Another one for edgy horror fans!