FeatureG1971·181m·7.7

Fiddler on the Roof

To Life!

DramaRomance

In a pre-revolutionary Russia, a poor Jewish milkman struggles with the challenges of a changing world as his daughters fall in love and antisemitism grows.

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Cast

Chaim Topol

Tevye

Norma Crane

Golde

Leonard Frey

Motel

Molly Picon

Yente

Paul Mann

Lazar Wolf

Rosalind Harris

Tzeitel

Michele Marsh

Hodel

Neva Small

Chava

Paul Michael Glaser

Perchik

Ray Lovelock

Fyedka

Elaine Edwards

Shprintze

Candy Bonstein

Bielke

Shimen Ruskin

Mordcha

Zvee Scooler

Rabbi

Louis Zorich

Constable

Alfie Scopp

Avram

Howard Goorney

Nachum

Barry Dennen

Mendel

Vernon Dobtcheff

Russian Official

Ruth Madoc

Fruma Sarah

Details

Status
Released
Original language
English
Languages
English
Budget
$9.0M
Revenue
$83.3M
Age rating
G
Quality
4K UHD · HDR10 · Dolby Vision
Production
United ArtistsCartier ProductionsThe Mirisch Company

Crew

Director

Norman Jewison

Writers

Joseph Stein, Sholom Aleichem, Arnold Perl, Sheldon Harnick

Antony Gibbs

Editor

Joan Bridge

Costume Design

Robert F. Boyle

Production Design

Elizabeth Haffenden

Costume Design

Oswald Morris

Director of Photography

Robert Lawrence

Editor

Gallery

Reviews

CinemaSerf

5/29/2023

7.0

Topol ("Tevye") is superb in this telling of a tale of an agrarian Jewish father in late 19th century Russia who has three daughters. The basic premiss is that he has to arrange suitable "matches" for them. With the aid of some classic numbers like "Matchmaker" & "If I was I Rich Man" we share his experiences and adventures as he attempts, with varying degrees of success, to find suitable husbands for his girls. Set against a backdrop of religious intolerance, and ultimately a pogrom, this is a clever, engaging depiction of the harsh conditions endured by rural Russians in general and the Jewish community specifically. Norman Jewison contrives to reconcile sometimes quite brutal stories of religious prejudice with a defiantly gentle, joyful communal spirit in a thought-provoking and personable fashion. Jerry Bock's instantly recognisable score - based around a delicate, witty and entertaining lyric from Sheldon Harnick makes this as good as any of the genre and although it does drag a bit at the start of the second act, it passes the three hour mark with considerable style.