FeatureR1981·122m·6.2

Sharky's Machine

Nobody leans on Sharky's Machine.

CrimeDramaActionThriller

Police officer Tom Sharky gets busted back to working vice, where he happens upon a scandalous conspiracy involving a local politician. Sharky's new 'machine' gathers evidence while Sharky falls in love with a woman he has never met.

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Cast

Burt Reynolds

Tom Sharky

Rachel Ward

Domino

Henry Silva

Billy Score

Brian Keith

Papa

Vittorio Gassman

Victor Scorelli

Charles Durning

Lt. Friscoe

Earl Holliman

Donald Hotchkins

Bernie Casey

Arch

Richard Libertini

Nosh

Darryl Hickman

Smiley

Joseph Mascolo

Joe Tipps

Tony King

Kitten Holmes

John Fiedler

Barrett

Carol Locatell

Mabel

Suzee Pai

Siakwan

Glynn Rubin

Pregnant Woman

Val Avery

Manny

Aarika Wells

Tiffany

Princess O'Mahoney

Hooker (uncredited)

Hari Rhodes

Details

Status
Released
Original language
English
Languages
English
Budget
$17.5M
Revenue
$35.6M
Age rating
R
Quality
4K UHD · HDR10 · Dolby Vision
Production
Deliverance ProductionsOrion Pictures

Crew

Director

Burt Reynolds

Writers

Gerald Di Pego, William Diehl

William A. Fraker

Director of Photography

Norman Salling

Costume Design

William D. Gordean

Editor

Dennis Virkler

Editor

Walter Scott Herndon

Production Design

Al Capps

Original Music Composer

Gallery

Reviews

GenerationofSwine

1/12/2023

10.0

It was made in '81 and is actually a pretty solid police film. It's not great, it's not Chinatown, but it also is pretty far from horrible. The dialogue is absolutely fantastic, and even in the throw away moments, there is a humor that seems very human. It's Hollywood sharp and witty to the point where it's almost too good to be realistic, it's just, human. There are a lot of little throw away conversations that seem like the kind of thing you'd hear in your everyday life. And that adds a nice touch of realism to what is otherwise a cop film, and those are always pretty unrealistic. The sound track is a little dated, a little 70s Adult film in places, but that was just a trope of the era and even great films like Three Days of the Condor had that 70s had that "I expect John Holmes to walk in any minute now" kind of music... but then it also had the cliche 80s sex scene instrumentals. So it feels like the merging of two eras and, audioly, it can't really decide if it wants to be 70s or 80s. And then it has crooning that seems like it fits better in a Sean Connery era 007 film. I guess what I'm saying is that, if there is a flaw, it's the sound track. Essentially what it is though is a solid cop film that is bucking for 1970s gritty and realistic, but is still, ultimately, as over the top and unrealistic as most police thrillers. It's a very enjoyable film to watch.... despite the music.