Feature1954·90m·6.5

Mad About Men

FantasyComedyRomance

Flirtatious mermaid Miranda swaps places with a schoolteacher who has gone on holiday. All is well until she falls in love with a human.

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Cast

Glynis Johns

Caroline Trewella / Miranda Trewella

Donald Sinden

Jeff Saunders

Anne Crawford

Barbara Davenport

Margaret Rutherford

Nurse Carey

Dora Bryan

Berengaria

Nicholas Phipps

Col. Barclay Sutton

Peter Martyn

Ronald Baker

Noel Purcell

Percy

Joan Hickson

Mrs. Forster

Judith Furse

Viola

Irene Handl

Mme. Blanche

David Hurst

Signor Mantalini

Martin Miller

Dr. Fergus

Deryck Guyler

Editor

Anthony Oliver

Pawnbroker

Lawrence Ward

Alphonse

Martin Boddey

Marco (uncredited)

Stringer Davis

The Vicar (uncredited)

Meredith Edwards

Police Constable (uncredited)

Lucy Griffiths

Dr. Fergus' Secretary (uncredited)

Details

Status
Released
Original language
English
Languages
English
Budget
Revenue
Age rating
Quality
4K UHD · HDR10 · Dolby Vision
Production
General Film DistributorsGroup Film Productions

Crew

Director

Ralph Thomas

Writers

Peter Blackmore, Peter Blackmore

Benjamin Frankel

Original Music Composer

Ernest Steward

Director of Photography

Gerald Thomas

Editor

Joan Ellacott

Costume Design

Gallery

Reviews

CinemaSerf

11/21/2022

6.0

This is quite an enjoyable vehicle for a mischievous Glynis Johns, who doubles up as a gymnastics teacher ("Caroline") who is left a remote house on the Cornish coast, and a mermaid ("Miranda") who lives with her equally cheeky friend "Berengaria" (Dora Bryan) in a cave underneath. The two characters have a common ancestor and look identical, so when "Caroline" heads off on a cycling trip, her mermaid cousin takes her place - and immediately starts to charm just about every man in the village. Many of us who recall later performances from (Sir) Donald Sinden may forget just how handsome he was as he falls for her; as does "Col. Barclay Sutton" (Nicholas Phipps) whose fiancée "Barbara" (Anne Crawford) tires of the endless flirtations and sets about trying to put a spoke in her wheel. Margaret Rutherford is her usual, ebullient, self as the enthusiastically game nurse who is in on the whole thing from the start. It's amusingly suggestive at times, and the dialogue quite witty but the film is way too long, and once the joke has worn off it drags a bit. It is better, I felt, than the rather more rigid, staid original from 1948 however, and well worth a gander.

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