Feature1934·82m·5.9

Operator 13

A TRICK OF FATE MADE THEM BOTH ENEMY AND LOVER.

DramaRomanceWar

American Civil War, 1862. After the disaster of the Second Battle of Bull Run, Major Allen, chief of the Secret Service of the Union, asks actress Gail Loveless to become one of his operators and infiltrate enemy territory.

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Cast

Marion Davies

Gail Loveless

Gary Cooper

Captain Jack Gailliard

Jean Parker

Eleanor

Katharine Alexander

Pauline

Ted Healy

Doctor Hitchcock

Russell Hardie

Littledale

Henry Wadsworth

John Pelham

Douglass Dumbrille

General Stuart

Willard Robertson

Captain Channing

Fuzzy Knight

Sweeney

Sidney Toler

Major Allen

Robert McWade

Colonel Sharpe

Marjorie Gateson

Mrs. Shackleford

Wade Boteler

Gaston

Walter Long

Operator 55

Donald Mills

Medicine Show Singer

Harry Mills

Medicine Show Singer

Herbert Mills

Medicine Show Singer

John Mills

Medicine Show Singer

Sam McDaniel

Rufus (uncredited)

Details

Status
Released
Original language
English
Languages
English
Budget
Revenue
Age rating
Quality
4K UHD · HDR10 · Dolby Vision
Production
Metro-Goldwyn-Mayer

Crew

Director

Richard Boleslawski

Writers

Harvey F. Thew, Eve Greene, Zelda Sears, Robert W. Chambers

Frank Sullivan

Editor

William Axt

Original Music Composer

George J. Folsey

Director of Photography

Gallery

Reviews

CinemaSerf

7/4/2025

6.0

Well if you thought that “Batman” had a poor disguise, just wait to you see Marion Davies in this quite entertainingly predictable American Civil War adventure. “Gail” has been recruited by the original Mr. Pinkerton to act as a spy for the Yankees down amongst the Johnny Rebs and so blackens up, sports a washer-woman’s garb and adopts an accent that is supposed to help her pass as a serving wench. Luckily for her, those she is spying upon are not the sharpest bayonets on the gun, and pretty swiftly she has ingratiated herself with their deadly foes but along the way taken a bit of a shine to “Capt. Jack” (Gary Cooper). When she returns for a second bite at this intelligence gathering cherry, only this time looking more like something from a Parisian ballroom, she realises that her enemies are not quite so thick as she’d thought. Can she escape in time? Can she ever be with her true love? Unless you don’t actually know who won this particular conflict then there’s precisely no jeopardy at all here, but along the way there are some daft escapades, a few musical numbers and just enough romance to give Cooper a chance to show he’s not quite as wooden as the picket fences they are shooting from. Davies is game, especially at the start but like most of the rest of the cast here, is rather swimming against a tide of low-budget blandness and some 1930s racist stereotypes. These don’t sit so well nowadays, but watching near century old films with modern day attitudes can often be unrewarding, so it’s best to remember that if you’re going to give this mediocre ninety minutes a go.