Feature1942·65m·6.5

The Man Who Wouldn't Die

An Empty Grave... A Cunning, Gunning Ghost... And Michael Shane!

CrimeMystery

A man believed to be dead and buried escapes from his grave and returns to the scene of the crime seeking revenge.

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Cast

Lloyd Nolan

Michael Shayne

Marjorie Weaver

Catherine Wolff

Helene Reynolds

Anna Wolff

Henry Wilcoxon

Dr. Haggard

Richard Derr

Roger Blake

Paul Harvey

Dudley Wolff

Billy Bevan

Phillips

Olin Howland

Jonathan Meek

Robert Emmett Keane

Alfred Dunning

LeRoy Mason

Zorah Bey

Jeff Corey

Tim Larsen

Francis Ford

Caretaker

Harry Carter

Call Boy (Uncredited)

Mary Field

Maid (Uncredited)

Charles Irwin

Gus / The Great Merlini (Uncredited)

Ruth Warren

Peggy (Uncredited)

Details

Status
Released
Original language
English
Languages
English
Budget
Revenue
Age rating
Quality
4K UHD · HDR10 · Dolby Vision
Production
20th Century Fox

Crew

Director

Herbert I. Leeds

Writers

Brett Halliday, Arnaud d'Usseau, Clayton Rawson

Joseph MacDonald

Director of Photography

Fred Allen

Editor

David Raksin

Original Music Composer

Herschel McCoy

Costume Design

Gallery

Reviews

CinemaSerf

12/6/2023

6.0

We start with a sinister scene in the grounds on an eerie country mansion. A burial - but of whom, and why in the dead of night? Well, it doesn't take us long to find out why and soon daughter of the house "Cathy" (Marjorie Weaver) engages the services of the sleuthing "Shayne" (Lloyd Nolan) to find out just what is going on. Have Burke & Hare moved into the neighbourhood? Snag for "Cathy" - her wealthy father "Dudley" (Paul Harvey) is no fan of cops, so the two have to pretend that they are... married...! Maybe not the easiest of disguises but as the story gathers pace there develops quite a fun dynamic between the two trying to stay one step ahead of their increasingly sophisticated and menacing nemesis. It's quite a decent little crime-noir, with a gradually accruing sense of menace helped by the basic, but effective, dark photography and some quite clever close ups on the eyes of our perpetrator (almost Karloff-esque, at times). The denouement is a touch far-fetched, but there's enough in the story to keep in interesting for an hour.

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