Feature1967·105m·6.3

The Last Challenge

Killer VS Killer

Western

An upstart outlaw baits a legendary gunslinger, now a marshal in love with a saloon keeper.

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Cast

Glenn Ford

Marshal Dan Blaine

Angie Dickinson

Lisa Denton

Chad Everett

Lot McGuire

Gary Merrill

Squint Calloway

Jack Elam

Ernest Scarnes

Delphi Lawrence

Marie Webster

Royal Dano

Pretty Horse

Kevin Hagen

Frank Garrison

Florence Sundstrom

Outdoors

Marian Collier

Sadie

Robert Sorrells

Harry Bell

John Milford

Turpin

Frank McGrath

Ballard Weeks

Amanda Randolph

Sally (uncredited)

Bill Walker

Servant / Driver (uncredited)

Vaughn Taylor

Jim Haskell (uncredited)

Len Lesser

Ed (uncredited)

Mark Allen

Dave Webster (uncredited)

Wendell Baker

Man on the Street (uncredited)

Jack Big Head

Indian (uncredited)

Details

Status
Released
Original language
English
Languages
English, Italian
Budget
Revenue
Age rating
Quality
4K UHD · HDR10 · Dolby Vision
Production
Metro-Goldwyn-Mayer

Crew

Director

Richard Thorpe

Writers

Robert Emmett Ginna, Albert Maltz, John Sherry, John Sherry

Richard Shores

Original Music Composer

Richard W. Farrell

Editor

Ellsworth Fredericks

Director of Photography

Gallery

Reviews

CinemaSerf

4/5/2026

6.0

Sadly, there isn't really anything very original here and I kept seeing Stephen Boyd every time Chad Everett made his presence felt. His ''Lot'' isn't so much looking for his pillar of salt as his pillar of the community and local sheriff ''Blaine'' (Glenn Ford) might fit that bill. They encounter each other whilst the latter man is out fishing, but quickly we discover that the former is looking for a famous scalp and that the latter was once - and may well still be, a formidable gunslinger. There is no deceit between the two men here. ''Lot'' is upfront about his purpose and although the two part as friends, the gauntlet has been clearly thrown down. Meantime, they had to find a part for Angie Dickenson and so ''Lisa'' takes on the mantle of running the local hotel whilst being romantically attached to the lawman. When she, too, learns of the plot she thinks that perhaps she ought to have a few drinks and then take the law into her own hands. So we are now all teed up for something predicable but watchable enough. That latter element is improved by the always reliable and curmudgeonly presence of Jack Elam; there is a small part for Gary Merrill as the curiously monikered ''Squint'' and amidst what appears to be a great deal of dialogue, there is some gun totin' action to keep us entertained. No, I doubt that even the most die-hard fans of Ford and/or this genre will recall this for long, but it passes the time effortlessly.